Tree Stories

Q1 Social Sciences
D. Nassar, M. Barbour
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引用次数: 1

Abstract

This article develops the notion of the “embodied history of trees” and articulates its conceptual and ethical implications. It demonstrates how trees literally embody their environment in their very structure and argues that trees express their environments in the deepest, most responsive, and most immediate way. The article then moves to consider how trees fundamentally shape their environment, showing that just as trees are expressions of their contexts, so their contexts are expressions of the trees. By highlighting the deep reciprocity between trees and their environments, the article raises crucial questions about the usual modes of conceptualizing the relation between organism and environment, and points to the ways in which environmental ethics remains largely wedded to these problematic conceptualizations. It concludes by developing environmental ethical concepts in light of the embodied history of trees, noting how these concepts challenge assumptions within mainstream environmental ethics, while extending the insights of deep ecology, ecofeminism, and Indigenous relational ethics in illuminating ways.
树的故事
本文发展了“树的具身历史”的概念,并阐明了其概念和伦理意义。它展示了树木如何在其结构中真正体现其环境,并认为树木以最深刻,最敏感,最直接的方式表达其环境。然后,文章开始考虑树木如何从根本上塑造它们的环境,表明正如树木是它们的环境的表达一样,它们的环境也是树木的表达。通过强调树木与其环境之间的深层互惠关系,文章提出了关于生物体与环境之间关系概念化的通常模式的关键问题,并指出环境伦理学在很大程度上仍然与这些有问题的概念化相结合的方式。最后,根据树木的具体历史发展环境伦理概念,指出这些概念如何挑战主流环境伦理的假设,同时以启发性的方式扩展深层生态学、生态女权主义和土著关系伦理的见解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Cultural Politics
Cultural Politics Social Sciences-Cultural Studies
CiteScore
1.20
自引率
0.00%
发文量
19
期刊介绍: Cultural Politics is an international, refereed journal that explores the global character and effects of contemporary culture and politics. Cultural Politics explores precisely what is cultural about politics and what is political about culture. Publishing across the arts, humanities, and social sciences, the journal welcomes articles from different political positions, cultural approaches, and geographical locations. Cultural Politics publishes work that analyzes how cultural identities, agencies and actors, political issues and conflicts, and global media are linked, characterized, examined, and resolved. In so doing, the journal supports the innovative study of established, embryonic, marginalized, or unexplored regions of cultural politics. Cultural Politics, while embodying the interdisciplinary coverage and discursive critical spirit of contemporary cultural studies, emphasizes how cultural theories and practices intersect with and elucidate analyses of political power. The journal invites articles on representation and visual culture; modernism and postmodernism; media, film, and communications; popular and elite art forms; the politics of production and consumption; language; ethics and religion; desire and psychoanalysis; art and aesthetics; the culture industry; technologies; academics and the academy; cities, architecture, and the spatial; global capitalism; Marxism; value and ideology; the military, weaponry, and war; power, authority, and institutions; global governance and democracy; political parties and social movements; human rights; community and cosmopolitanism; transnational activism and change; the global public sphere; the body; identity and performance; heterosexual, transsexual, lesbian, and gay sexualities; race, blackness, whiteness, and ethnicity; the social inequalities of the global and the local; patriarchy, feminism, and gender studies; postcolonialism; and political activism.
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