François Jullien’s Landscape, Site Selection, and Pattern Recognition

IF 2.7 2区社会学 Q1 CULTURAL STUDIES

Theory Culture & Society Pub Date : 2023-03-01 DOI:10.1177/02632764221147663

S. Feuchtwang

引用次数: 0

Abstract

François Jullien’s idea of landscape in Chinese philosophy and art is taken from the refinement of highly literate writers and artists, unrelated to the techniques of location that find good sites and make places in landscape. This article is based on a study of fengshui (Chinese geomancy). It argues that fengshui is a practice of identifying not things or beings but moments and circumstances of a client. It works with an epistemology of pattern recognition, which is based on observation and experience but does not test the truth of the signs that are the means of recognizing patterns. This epistemology of pattern recognition is not peculiarly Chinese but can also be found in building, urban planning, and the art of medical diagnosis.

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弗朗索瓦·于连的景观、选址和模式识别

于连(francois Jullien)的中国哲学和艺术中的景观理念来自于有高度文化素养的作家和艺术家的提炼，与在景观中寻找好地点和创造空间的选址技术无关。这篇文章是基于对风水(中国风水)的研究。它认为风水是一种实践，不是识别事物或人，而是识别客户的时刻和环境。它与模式识别的认识论一起工作，模式识别基于观察和经验，但不测试作为识别模式手段的符号的真实性。这种模式识别的认识论并不是中国特有的，但也可以在建筑、城市规划和医学诊断艺术中找到。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Theory Culture & Society Multiple-

CiteScore

4.20

自引率

5.90%

发文量

期刊介绍： Theory, Culture & Society is a highly ranked, high impact factor, rigorously peer reviewed journal that publishes original research and review articles in the social and cultural sciences. Launched in 1982 to cater for the resurgence of interest in culture within contemporary social science, Theory, Culture & Society provides a forum for articles which theorize the relationship between culture and society. Theory, Culture & Society is at the cutting edge of recent developments in social and cultural theory. The journal has helped to break down some of the disciplinary barriers between the humanities and the social sciences by opening up a wide range of new questions in cultural theory.