Rational Distortions

Abstract

This chapter explores the revival of various forms of the essay in fiction written in Great Britain from the 1970s to the present day. Angela Carter, Julian Barnes, W. G. Sebald and Kazuo Ishiguro are shown to integrate speculation and reflection into experimental narratives that open up spaces for these notionally old-fashioned strangers. Under the disguised and perhaps indirectly borrowed aegis of Jorge Luis Borges, these writers ask questions about time, history, laughter, invention, and much else. Dark fantasy in Carter, unreliable knowledge in Barnes, trauma in Sebald, memory and forgetting in Ishiguro all give rise to stories that think, and thinking that can’t do without stories.