G. Rossi, G. Böhm, A. Saraò, D. Cotterle, L. Facchin, Paolo Giurco, R. Lucchi, M. Musco, F. Petrera, S. Picotti, S. Salon
{"title":"Focus on glaciers: a geo-photo exposition of vanishing beauty","authors":"G. Rossi, G. Böhm, A. Saraò, D. Cotterle, L. Facchin, Paolo Giurco, R. Lucchi, M. Musco, F. Petrera, S. Picotti, S. Salon","doi":"10.5194/gc-3-381-2020","DOIUrl":null,"url":null,"abstract":"Abstract. Scientific research, respect for the environment, and passion for photography merged into an exceptional heritage of images collected by the researchers and technicians of the National Institute of Oceanography and Applied Geophysics (OGS). The images were taken during past scientific\nexpeditions conducted all over the world to widen scientific knowledge in\nthe fields of Earth and ocean sciences, to raise awareness on the environment and conservation of natural resources, and to mitigate natural risks. In this paper, we describe a photographic exhibition organized using some of the OGS images to draw public attention to the striking effects of global warming. In the artistic images displayed, the glaciers were the\nprotagonists. Their infinite greyish blue shades and impossible shapes were\nworthy of a great sculptor, and the boundaries with rocks or with the sea\nwere sometimes sharp and dramatic and sometimes so nuanced that they looked\nlike watercolours. The beauty of the images attracted the attention of the public to unknown\nrealities, allowing us to document the dramatic retreat of the Alpine\nglaciers and to show the majesty of the Arctic and Antarctic landscapes,\nwhich are fated to vanish under the present climate warming trend. The choice of the exhibition location allowed us to reach a broad public of\nworking-age adults, who are difficult to involve in outreach events. The\ncreators of the images were present during the exhibition to respond to\nvisitors' curiosity about research targets, the emotional and environmental\ncontext, and the technical details or aesthetic choices of the photographs.\n","PeriodicalId":52877,"journal":{"name":"Geoscience Communication","volume":"27 1","pages":""},"PeriodicalIF":1.9000,"publicationDate":"2020-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Geoscience Communication","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5194/gc-3-381-2020","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Social Sciences","Score":null,"Total":0}
引用次数: 1
Abstract
Abstract. Scientific research, respect for the environment, and passion for photography merged into an exceptional heritage of images collected by the researchers and technicians of the National Institute of Oceanography and Applied Geophysics (OGS). The images were taken during past scientific
expeditions conducted all over the world to widen scientific knowledge in
the fields of Earth and ocean sciences, to raise awareness on the environment and conservation of natural resources, and to mitigate natural risks. In this paper, we describe a photographic exhibition organized using some of the OGS images to draw public attention to the striking effects of global warming. In the artistic images displayed, the glaciers were the
protagonists. Their infinite greyish blue shades and impossible shapes were
worthy of a great sculptor, and the boundaries with rocks or with the sea
were sometimes sharp and dramatic and sometimes so nuanced that they looked
like watercolours. The beauty of the images attracted the attention of the public to unknown
realities, allowing us to document the dramatic retreat of the Alpine
glaciers and to show the majesty of the Arctic and Antarctic landscapes,
which are fated to vanish under the present climate warming trend. The choice of the exhibition location allowed us to reach a broad public of
working-age adults, who are difficult to involve in outreach events. The
creators of the images were present during the exhibition to respond to
visitors' curiosity about research targets, the emotional and environmental
context, and the technical details or aesthetic choices of the photographs.