ANÁLISIS DE LA MODA FEMENINA EN IN THE MOOD FOR LOVE DESDE UNA MIRADA SEMIÓTICA

IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Yingqiao Pan
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引用次数: 0

Abstract

Resumen: La evolucion del vestido Qipao durante mas de un siglo se puede considerar como un caso paradigmatico de la historia de la moda en China. Para los extranjeros es un fragmento de la cultura tradicional de China, y para los chinos es una identidad figurativa. En el caso de In the Mood for Love, el Qipao se presenta como un actor mas. A traves del presente trabajo, queremos aplicar la metodologia de la semiotica de la cultura y la semiotica de la moda para abordar el objeto de estudio. La finalidad es encontrar la relacion entre el cine, la moda, la sociedad, la cultura y la historia china. Abstract: The evolution of the Qipao dress for more than a century can be considered as a paradigmatic case of the history of fashion in China. For foreigners it is a fragment of the traditional culture of China, and for the Chinese it is a figurative identity. In the case of In the Mood for Love, the Qipao is presented as an actor. Through this work, we want to apply the methodology of the semiotics of culture and the semiotics of fashion to approach the object of study. The purpose is to find the relationship between cinema, fashion, society, culture and Chinese history.
从符号学的角度分析《IN THE MOOD FOR LOVE》中的女性时尚
摘要:旗袍服装在一个多世纪的演变可以看作是中国时尚史上的一个典型案例。对外国人来说,它是中国传统文化的一部分,对中国人来说,它是一种象征身份。在《爱的心情》中,旗袍是另一个演员。通过这项工作,我们希望应用文化符号学和时尚符号学的方法论来接近研究对象。目的是寻找电影、时尚、社会、文化和中国历史之间的关系。摘要:《旗袍服饰一个多世纪的演变》是中国时尚史上的一个典型例子。对外国人来说,它是中国传统文化的一部分,对中国人来说,它是一种象征身份。在《爱情情缘》中,旗鱼是一个演员。通过这项工作,我们要运用文化符号学和时尚符号学的方法论来接近研究对象。其目的是寻找电影、时尚、社会、文化和中国历史之间的关系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
258
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