{"title":"Too Untidy to Live? Helen Burns and Disorderly Girlhood Experience","authors":"Elissa Myers","doi":"10.5325/ninecentstud.33.0001","DOIUrl":null,"url":null,"abstract":"\n This essay performs a queer reading of Helen Burns’s untidiness in Jane Eyre. While that untidiness is a facet of Helen’s character that has been ignored in recent criticism, attending to this aspect of her character also enables a theorization of the possible forms of children’s resistance within nineteenth-century educational settings. Lowood School aims to control girls’ outer and inner lives by forcing them to attend to their bodies at the expense of their minds, inculcating what I call the time of the body. In order to make this argument, I draw on Kathryn Bond Stockton’s idea that, for children, temporality involves “growing sideways” rather than “up,” that is, finding generative pockets of time that do not lead to a linear or reproductive (adult) narrative. Helen’s untidiness and the desire between Helen and Jane are queer in that they coexist with but are somewhat set apart from the novel’s marriage plot. In addition, both Helen and Jane’s relationship and Helen’s untidy embodiment are queer because they defy Lowood’s insistence on the gendered temporalities of self-sacrifice in favor of an embrace of unruly materiality and contemplation in atemporal and nonphysical spaces.","PeriodicalId":42524,"journal":{"name":"NINETEENTH-CENTURY FRENCH STUDIES","volume":"7 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"NINETEENTH-CENTURY FRENCH STUDIES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/ninecentstud.33.0001","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, ROMANCE","Score":null,"Total":0}
引用次数: 1
Abstract
This essay performs a queer reading of Helen Burns’s untidiness in Jane Eyre. While that untidiness is a facet of Helen’s character that has been ignored in recent criticism, attending to this aspect of her character also enables a theorization of the possible forms of children’s resistance within nineteenth-century educational settings. Lowood School aims to control girls’ outer and inner lives by forcing them to attend to their bodies at the expense of their minds, inculcating what I call the time of the body. In order to make this argument, I draw on Kathryn Bond Stockton’s idea that, for children, temporality involves “growing sideways” rather than “up,” that is, finding generative pockets of time that do not lead to a linear or reproductive (adult) narrative. Helen’s untidiness and the desire between Helen and Jane are queer in that they coexist with but are somewhat set apart from the novel’s marriage plot. In addition, both Helen and Jane’s relationship and Helen’s untidy embodiment are queer because they defy Lowood’s insistence on the gendered temporalities of self-sacrifice in favor of an embrace of unruly materiality and contemplation in atemporal and nonphysical spaces.
本文对《简·爱》中海伦·彭斯的不整洁进行了奇怪的解读。虽然海伦性格中不整洁的一面在最近的批评中被忽视了,但关注她性格中的这一面也使19世纪教育环境中儿童抵抗的可能形式理论化。洛伍德学校的目的是控制女孩的外在和内在生活,强迫她们以牺牲思想为代价关注自己的身体,灌输我所说的身体时间。为了证明这一点,我引用了凯瑟琳·邦德·斯托克顿(Kathryn Bond Stockton)的观点,即对于孩子来说,时间性涉及“横向成长”而不是“向上成长”,也就是说,寻找不导致线性或再生(成人)叙事的生产性时间片段。海伦的不整洁和海伦与简之间的欲望是奇怪的,因为它们与小说的婚姻情节共存,但又有些分开。此外,海伦和简的关系以及海伦不整洁的化身都是酷儿的,因为它们违背了罗伍德对自我牺牲的性别暂时性的坚持,赞成对不受约束的物质性的拥抱,以及对非时间和非物质空间的沉思。
期刊介绍:
Nineteenth-Century French Studies provides scholars and students with the opportunity to examine new trends, review promising research findings, and become better acquainted with professional developments in the field. Scholarly articles on all aspects of nineteenth-century French literature and criticism are invited. Published articles are peer reviewed to ensure scholarly integrity. This journal has an extensive book review section covering a variety of disciplines. Nineteenth-Century French Studies is published twice a year in two double issues, fall/winter and spring/summer.