Tracing the Genealogical Self: Entanglements of drawing with Tim Ingold's Lines

Q3 Arts and Humanities
Ilgım Veryeri Alaca, Betül Gaye Dinç
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引用次数: 0

Abstract

Abstract The Genealogical Self Project is a component of a basic drawing course open to undergraduates from diverse disciplines and cultures, and engages students in critical drawing activities at Koç University, a liberal arts college in Īstanbul. By introducing a chapter from Tim Ingold's book, Lines: A Brief History, to the course, we aim to revisit the elements and processes that constitute drawing education, and what lines and mark-making mean in art and daily life. Thus, Tim Ingold's anthropological approach to elements of drawing opens a door to the expanded capacity of this art in general and invites students to interact with a text that handles parallel topics such as line. The project offers students an experimental way of building a drawing via inspiration from the text covered in the course and by inspiring them to base their work on myriad sources from their life going beyond drawing physical objects.
追踪系谱自我:与蒂姆·英戈尔德的线条绘画的纠缠
家谱自我项目是一门基础绘画课程的组成部分,面向来自不同学科和文化的本科生开放,并在Īstanbul的一所文理学院Koç大学让学生参与批判性绘画活动。通过介绍蒂姆·英戈尔德(Tim Ingold)的书《线条:简史》(Lines: a Brief History)中的一章,我们的目标是重新审视构成绘画教育的元素和过程,以及线条和标记在艺术和日常生活中的意义。因此,Tim Ingold对绘画元素的人类学方法为这门艺术的总体扩展能力打开了一扇门,并邀请学生与处理平行主题(如线条)的文本进行互动。该项目为学生提供了一种实验方式,通过从课程中涵盖的文本中获得灵感,并激励他们将自己的工作建立在生活中无数的来源之上,而不仅仅是绘制物理对象。
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来源期刊
Drawing: Research, Theory, Practice
Drawing: Research, Theory, Practice Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.40
自引率
0.00%
发文量
11
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