A coleção Marciano Azuaga: Gaia e Porto na segunda metade do século XIX e primeira década do século XX

MIDAS journal Pub Date : 2023-07-28 DOI:10.4000/midas.4308
João Batista Fernandes
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Abstract

gathered an eclectic set of 1865 objects, which he donated to the Town Hall of Vila Nova de Gaia in 1904, at a time when it was already configurated as a private museum, open to the public free of charge. This article contextualizes the collection’s creation and demonstrate how such a process enlightens about the intellectual orientations of the most dominant figures of scientific, artistic, literary, political and academic production with whom Marciano Azuaga was in contact. These composed an illustrated society which flowed through Gaia and Porto’s institutions and intimate circles, which are highlighted in the text. The collection’s inventory, produced in 1904 (which accompanied the collection’s donation and would serve as a register for future offers until 1934), is regarded as an indispensable source which allows us not only to recreate the collection but also know some of its donors, who were recorded until 1909. If the apparent diversity and eclecticism of the objects suggests a collection motivated by the collector´s taste, the typologies of objects contemplated and their respective donors, reveal a positivist sensibility of knowledge and collecting that corroborates the characterisation presented of this society and its impact over the objects gathered by the collector. The inventory’s study, combined with a biographical approach to the collector and some of the collection’s donors, as well as other contemporary sources and journals regarding institutions and events in which they participated, were the main resources used to cross data and demonstrate the social, economic, professional and geographical circumstances which propitiated the collection’s constitution.
他收集了1865件各式各样的物品,并于1904年将这些物品捐赠给了盖亚新城市政厅,当时它已经被配置为一个免费向公众开放的私人博物馆。本文将介绍该系列的创作背景,并展示这一过程如何启发与阿祖加有过接触的科学、艺术、文学、政治和学术生产中最重要人物的思想取向。这些构成了一个插图社会,流经盖亚和波尔图的机构和亲密圈子,这在文本中突出显示。这些藏品的清单制作于1904年(随藏品捐赠而来,直到1934年将作为未来报价的登记簿),被认为是一个不可或缺的来源,它不仅可以让我们重现这些藏品,还可以让我们了解到1909年之前的一些捐赠者。如果物品的明显多样性和折衷主义表明收藏家的品味是收藏的动机,那么所考虑的物品及其各自的捐赠者的类型学揭示了知识和收藏的实证主义敏感性,这证实了这个社会的特征及其对收藏家所收集的物品的影响。该清单的研究,结合对收藏者和一些藏品捐赠者的传记方法,以及关于他们参与的机构和事件的其他当代来源和期刊,是用于交叉数据和展示有利于藏品构成的社会、经济、专业和地理环境的主要资源。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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