Doing Things With Natures

IF 0.1 3区 艺术学 0 THEATER
Teemu Paavolainen
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引用次数: 1

Abstract

The article expands on Lewis and Maslin’s “double two-step” historicization of the Anthropocene, with two major transitions in energy (agriculture and fossil fuels) and two in social organization (modernity and the Great Acceleration). Insofar as planetary impacts arise from “what we spend our time doing” – foraging, farming, feudal then waged labour, finally unsustainable consumption – such “doing” is understood as precisely ‘performative’ in the sense that its effects only arise from a massive social repetition that is confused with essential nature and thus concealed. Through a graphic model of such ‘plural performativity,’ four consecutive Anthropo(s)cenes are sketched: the Giving World of agriculture and state formation; the New World of colonial pillage and world trade; the Netherworld of wage labour and fossil capital; then ‘All the World’ but not with all of “us” as players. Apart from environmental changes, the paper targets performances of power and inequality: normative histories of ‘common sense’ on the one hand, concealing ‘people’s histories’ of conflict and opposition, on the other – the Anthropocene arising not simply from what the majority of people have been doing, but from what they have always beenforced to do.
用自然做事
这篇文章扩展了刘易斯和马斯林关于人类世的“双两步”历史化,其中包括能源(农业和化石燃料)和社会组织(现代性和大加速)的两个主要转变。就地球的影响产生于“我们花时间做的事情”而言——觅食、耕种、封建、然后是有偿劳动,最后是不可持续的消费——这种“做”被理解为精确的“表演”,因为它的影响只产生于大规模的社会重复,这种重复与本质性质相混淆,因此被掩盖了。通过这种“复数表演”的图形模型,我们勾勒出了四个连续的人类场景:农业和国家形成的给予世界;殖民掠夺和世界贸易的新世界;雇佣劳动和化石资本的地狱;然后是“全世界”,但不是所有“我们”都是玩家。除了环境变化,这篇论文的目标是权力和不平等的表现:一方面是“常识”的规范历史,另一方面是隐藏冲突和反对的“人民的历史”——人类世不仅源于大多数人一直在做的事情,而且源于他们一直被强迫做的事情。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
17
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