{"title":"\"What Kind of Likeness?\": The Aesthetic Impulse in Biblical Poetry","authors":"E. James, Sean Burt","doi":"10.2979/prooftexts.38.1.01","DOIUrl":null,"url":null,"abstract":"Abstract:While the Hebrew Bible may lack a sustained reflection on the nature of literary art, some biblical poems nevertheless appear to be self-conscious of their own literary production. This article investigates how the texts themselves conceptualize the nature and potential of the aesthetic word. One situation in which self-consciousness of aesthetic production is evident is use of the verb dalet-mem-heh (\"to make a likeness\") in Song of Songs, Lamentations, and prophetic poetry. This essay explores how poets self-consciously used poetic language to create verbal images that have the ability to escape rhetorical and theological purposes. These images can evoke surprising, even paradoxical experiences, such as spaces of beauty and consolation in the midst of terror and destruction. These passages, along with other prophetic texts that characterize and critique poetry, reveal that some ancient Israelite poets already recognized that poetry can function not just as mere ornament or illustration but as a creative act that retains a productive power all its own.","PeriodicalId":43444,"journal":{"name":"PROOFTEXTS-A JOURNAL OF JEWISH LITERARY HISTORY","volume":"25 1","pages":"1 - 33"},"PeriodicalIF":0.2000,"publicationDate":"2020-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"PROOFTEXTS-A JOURNAL OF JEWISH LITERARY HISTORY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2979/prooftexts.38.1.01","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:While the Hebrew Bible may lack a sustained reflection on the nature of literary art, some biblical poems nevertheless appear to be self-conscious of their own literary production. This article investigates how the texts themselves conceptualize the nature and potential of the aesthetic word. One situation in which self-consciousness of aesthetic production is evident is use of the verb dalet-mem-heh ("to make a likeness") in Song of Songs, Lamentations, and prophetic poetry. This essay explores how poets self-consciously used poetic language to create verbal images that have the ability to escape rhetorical and theological purposes. These images can evoke surprising, even paradoxical experiences, such as spaces of beauty and consolation in the midst of terror and destruction. These passages, along with other prophetic texts that characterize and critique poetry, reveal that some ancient Israelite poets already recognized that poetry can function not just as mere ornament or illustration but as a creative act that retains a productive power all its own.
期刊介绍:
For sixteen years, Prooftexts: A Journal of Jewish Literary History has brought to the study of Jewish literature, in its many guises and periods, new methods of study and a new wholeness of approach. A unique exchange has taken place between Israeli and American scholars, as more work from Israelis has appeared in the journal. Prooftexts" thematic issues have made important contributions to the field.