Adrian Craciunescu, To Move and Reconstruct Monuments – Conflicts with Authenticity and Integrity

Q2 Arts and Humanities
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引用次数: 0

Abstract

Moving heritage has never been a problem of engineering. From technical point of view, when heritage became a doctrinal issue, everything was technically achievable already. Present understanding of built heritage is more and more connected to the place where such heritage was constructed and still, less and less related to its materiality. In the early sixties, Salvaging Abu Simbel in the early sixties overexposed this issue of deep link between a monument and its place. It was of such magnitude that even contributed directly to the World Heritage Convention. After more than half a century, due to new technologies and due to many changes in the way heritage is perceived, it appears that concepts of “place” and “reconstruction” tend to become less and less restrictive, to the point that the core concepts of World Heritage - “authenticity” and “integrity” - may become very difficult to assess at a certain moment. At least one position on Romania’s heritage in the World Heritage List is affected by the possibility of “dismantling, transfer and reinstatement at a suitable location” stated by the Granada Convention for the protection of architectural heritage of Europe. The wooden churches are movable by tradition, and this aspect is better reflected in the revised principles of Venice Charter reflected in ICOMOS Australia’s Burra Charter and, more recently, in Nara Document on Authenticity. However, having already so many precedents already, where else could we anymore trace a border line between acceptable and non-acceptable of such transfers and reconstructions in respect of authenticity and integrity? If such a line can be traced, does this mean then that a principle may be negotiable? Can it be properly set in a clear regulation or methodology?
阿德里安·克拉丘内斯库,《移动和重建纪念碑——与真实性和完整性的冲突》
移动遗产从来就不是一个工程问题。从技术的角度来看,当遗产成为一个理论问题时,一切在技术上都是可以实现的。目前对建筑遗产的理解越来越多地与这些遗产的建造地点联系在一起,而与它的物质性联系越来越少。在60年代早期,《拯救阿布辛贝神庙》在60年代早期过度曝光了纪念碑与其所在地之间的深层联系。它的规模如此之大,甚至直接促成了《世界遗产公约》。半个多世纪以来,由于新技术的发展和遗产认知方式的诸多变化,“地点”和“重建”的概念似乎变得越来越不受限制,以至于世界遗产的核心概念——“真实性”和“完整性”可能在某个时刻变得非常难以评估。《格拉纳达保护欧洲建筑遗产公约》规定,罗马尼亚在《世界遗产名录》中至少有一处遗产受到“在适当地点拆除、转移和恢复”可能性的影响。根据传统,木制教堂是可移动的,这方面在国际古迹遗址理事会澳大利亚的《布拉宪章》和最近的《奈良真实性文件》中修订的《威尼斯宪章》原则中得到了更好的反映。然而,已经有了这么多的先例,在真实性和完整性方面,我们还能在哪里找到这种转移和重建的可接受和不可接受的界限呢?如果这条线可以追溯,这是否意味着一项原则可以协商?能否以明确的规定或方法加以适当设定?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Plural. History. Culture. Society
Plural. History. Culture. Society Arts and Humanities-History
CiteScore
0.30
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0.00%
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审稿时长
16 weeks
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