Contatti. Quattro pennellate per Jean-Luc Nancy

IF 0.1 0 PHILOSOPHY
M. Morganti
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引用次数: 0

Abstract

This text contains points of contact which I felt between my work as an artist and Jean Luc Nancy's thought. I've associated some of my works and reflections on the practice which produced them, to words expressed in quotes from a variety of texts by Nancy, such as The Muses, Corpus , Noli me tangere and others. All is structured in four chapters, imaginary brushstrokes, dedicated to Nancy. Each one revolves around one or two artworks, which are shown in photograph. In each, the artist's and the philosopher's words follow one another merging into a dialogue. The titles of the four chapters reflect the two perspectives, defining distinct meeting points, where I've made his words lean towards my works as if they spoke for me and my feelings. To Nancy's concept of "touching", corresponds my "the body, that paints"; to "body" corresponds "the body becomes painting", to "body as a place of existence" corresponds "painting as space of existence" and to "withdrawing" corresponds "I touch the canvas with the brush and then I distance myself from it".
接触。让-卢克·南希的四笔
该文本包含点之间的接触,我觉得我的工作作为一个艺术家,让吕克·南希的思想。我把我的一些作品和对创作它们的实践的反思,与南希在各种文本中引用的词语联系在一起,比如《缪斯》、《语料库》、《我是橘子》等。全书分为四章,用想象的笔触,献给南希。每个展览都围绕一到两件艺术品展开,并以照片的形式展示。在每一幅作品中,艺术家和哲学家的话语都紧随其后,融合成一场对话。这四章的标题反映了两种观点,定义了不同的交汇点,我让他的话倾向于我的作品,就好像它们代表了我和我的感受。对南希的“触摸”概念,对应我的“身体,那画”;“身体”对应的是“身体成为绘画”,“身体作为存在的场所”对应的是“绘画作为存在的空间”,“退缩”对应的是“我用画笔触摸画布,然后我远离它”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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