The Rusty Butler archive: revelations of cultural repression during the brazilian military dictatorship

Calla J. C. Knapp, Rex P. Nielson
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引用次数: 0

Abstract

ABSTRACT The twenty-one years of military dictatorship in Brazil (1964-1985) were marked by severe repression as government censors sought to control media and artistic production. During these tense years, as has been well documented, journalists, academics, writers, and artists at times struggled to voice their opposition to oppressive military control. Many turned to protest theater as a way to speak out against the dictatorship’s abuses. Unsurprisingly, many plays produced at this time were either heavily censored or shut down entirely. In the late 1960s and early 1970s, a young Brazilianist scholar from the United States, Ross “Rusty” Butler, befriended, interviewed, and conducted field research on authors of protest theater and their works. When Butler was preparing to return to the United States after being threatened himself by government officials, a few of his new friends asked him to take their works-including some plays that were unpublished and in manuscript form-out of the country in order to avoid censorship. Now, fifty years later, those plays and manuscripts, along with Butler’s other research materials, are finally coming to light through the Rusty Butler Archive. The Rusty Butler Archive demonstrates the complex relationship between the military dictatorship, censorship, and cultural production during the 1960s and 70s.
罗斯蒂·巴特勒档案:巴西军事独裁时期文化压迫的揭露
巴西21年的军事独裁统治(1964-1985)以严厉的镇压为标志,因为政府审查者试图控制媒体和艺术生产。在这些紧张的岁月里,正如有充分记载的那样,记者、学者、作家和艺术家有时挣扎着表达他们对压迫性军事控制的反对。许多人把抗议戏剧作为一种公开反对独裁统治暴行的方式。不出所料,当时制作的许多戏剧要么受到严格审查,要么被完全关闭。在20世纪60年代末和70年代初,来自美国的年轻巴西学者罗斯·“拉什蒂”·巴特勒(Ross“Rusty”Butler)对抗议戏剧及其作品的作者进行了结识、采访和实地研究。当巴特勒在受到政府官员的威胁后准备返回美国时,他的一些新朋友要求他把他们的作品——包括一些未发表的手稿形式的戏剧——带出美国,以避免审查。现在,50年过去了,这些剧本和手稿,以及巴特勒的其他研究材料,终于通过Rusty Butler Archive得以曝光。Rusty Butler档案展示了20世纪60年代和70年代军事独裁、审查制度和文化生产之间的复杂关系。
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