LOCALITY IN CONSTRUCTING CULTURAL IDENTITY (A REVIEW ON SEMARANG BATIK ART)

S. Syakir, S. Soesanto, Mujahirin Tohir
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引用次数: 4

Abstract

In the context of identity, batik is a form of expression of art with unique features that become the identity or may potentially become a cultural identity for either local or national identity. As the capital of Central Java, Semarang has built an identity through batik that depicts Semarang as having a batik culture. The construction of identity in Semarang batik began from searching for local identities by related actors, either personal or communities or organizations, who collectively explore ideas from locality. Locality includes natural, physical, and social-cultural environments. Through creativity in batik art, those ideas are conveyed in innovation and production of distinctive batik that is Semarang-style batik. This distinction represents Semarang locality that forms Semarang identity. The identity that is created as a product of that culture is continuously developed and preserved through enculturation by education in families, schools, and the society.
建构文化认同的地域性(三宝郎蜡染艺术述评)
在身份背景下,蜡染是一种具有独特特征的艺术表现形式,成为身份或可能成为地方或国家身份的文化身份。作为中爪哇的首都,三宝垄通过蜡染建立了一种身份,将三宝垄描绘为拥有蜡染文化的地方。三宝垄蜡染的身份建构始于相关行动者(无论是个人还是社区或组织)对地方身份的寻找,他们共同探索来自地方的想法。地域包括自然环境、物理环境和社会文化环境。通过蜡染艺术的创意,这些想法在创新和生产独特的蜡染中得到传达,即三宝兰式蜡染。这种区别代表了三宝垄的地方性,形成了三宝垄的身份。作为这种文化的产物而产生的身份,通过家庭、学校和社会的文化教育而不断发展和保存。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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