Written Out of the Story: Issues of Television Authorship, Reception, and Ethnicity in NBC's "Marty"

Jonathan J. Cavallero
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引用次数: 2

Abstract

Abstract:This article investigates the 1953 NBC production "Marty" to challenge a long-held bias in television studies. By identifying television as either a "writers' medium" or a "producers' medium," scholars have underestimated the contributions of television directors. This has led to a perspective that emphasizes the narrative and commercial aspects of TV without sufficient regard for television programs' visual styles. Drawing on original interviews and archival resources (including fan letters that recover individual viewing experiences), this article argues that director Delbert Mann contributed to "Marty"'s artistry by linking the representation of Italian Americans with an aesthetic style associated with Italian neorealism.
写在故事之外:NBC《马蒂》中的电视作者、接受和种族问题
摘要:本文以1953年NBC出品的《马蒂》为研究对象,挑战电视研究中长期存在的偏见。学者们将电视定义为“编剧的媒介”或“制片人的媒介”,低估了电视导演的贡献。这导致了一种强调电视叙事和商业方面的观点,而没有充分考虑电视节目的视觉风格。本文利用原始访谈和档案资源(包括恢复个人观影经历的影迷来信),认为导演德尔伯特·曼恩通过将意大利裔美国人的表现与意大利新现实主义相关的美学风格联系起来,对《马蒂》的艺术做出了贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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