Blue Jeans: The Art of the Ordinary

A. Galeucia
{"title":"Blue Jeans: The Art of the Ordinary","authors":"A. Galeucia","doi":"10.5860/choice.49-6957","DOIUrl":null,"url":null,"abstract":"Blue Jeans: The Art of the Ordinary By Daniel Miller and Sophie Woodward Berkeley and Los Angeles: University of California Press, 2012. vii + 169pp. Acknowledgements, bibliography and index. $63.00 (Hardcover), 978-0520272187; $27.95 (Softcover), 978-0520272194.Emerging from British material culture and cultural studies, anthropologist Daniel Miller and sociologist Sophie Woodward have spent the past several years building numerous studies associated with the clothing item most commonly referred to as \"blue jeans\" or \"denim,\" which the authors use interchangeably In this book, they present a hybrid discussion of data and theories emerging from an ethnographic study of three connected London streets in a majority middle-class, mixed-ethnicity neighborhoodThe authors identify their initial goal for this study as simply to answer the question \"Why do so many people wear jeans?\" (p 3) Blue jeans are a common article of clothing that most people can identify and likely own In that regard, they are ordinary, everywhere But as Miller and Woodward demonstrate in Blue Jeans, once people start talking about their blue jeans, it's possible to uncover patterns associated with practical comfort, cost, appearance and identity, as well as a variety of other complex aspects of lived experience What this monograph offers as a result is an exploration into the complex role the clothing item plays not only in the London neighborhood the authors studied, but also on a broader geographic scale Similarly, Blue Jeans contributes practical and theoretical implications for cultural studies beyond Miller and Woodward's field siteAs a result of the early stages of this ethnographic study, the authors developed the Global Denim Project, which is discussed in Miller and Woodward's 2011 edited volume Global Denim (New York: Berg Press) Readers interested in varied geographic and methodological discussions of denim will benefit from reading Global Denim in juxtaposition with Blue Jeans, which acts as a stand-alone case study connected to the Global Denim ProjectMiller and Woodward's approach to denim in Blue Jeans, although initiated from a traditional open-ended ethnographic standpoint, developed into a multilayered quest to extrapolate understandings of social choices, conformity, identity, and normativity at a local and global scale The book is organized as follows: its early chapters explore the ethnographic approaches, questions, and participant stories that emerged from the authors' fieldwork, while the later chapters, though still discussing participant material, delve more deeply into theories of material culture (in this case, denim) and the concept of \"ordinary \"Miller and Woodward conclude Blue Jeans with a brief review of various theories of the ordinary, material culture, and identity associated with the everyday In these sections, they engage anthropological, sociological, performance, and various interdisciplinary resources to discuss how studies of ordinary items can both reinforce ideas about difference and hierarchy while also illuminating the ways people address social difference in their daily lives Further, these sections explore how people consciously (or unconsciously, as Miller and Woodward argue is the case for their London participants) use jeans as a form of relaxing, standardizing their wardrobe, or regulating their day (e g , finishing the work day and putting on jeans, or vice versa)In their concluding paragraphs, Miller and Woodward distinguish between ordinary and normative, suggesting that studies of the ordinary can provide an alternative approach for anthropologists who feel confined by the theoretical and ideological implications of normativity The concept \"ordinary\" works, they suggest, precisely because it is an embodied practice, a nonissue, and through studying people's use of this ordinary material item, there is significant opportunity to explore their personal and material engagement with the world without having to fret about intentionality, duty, aspiration or identity (p 136)From a sociological perspective, Miller and Woodward argue that the term ordinary, though related to the term everyday, has important distinctions Ordinary and routine are intimately interconnected, they contend, and are often overlooked due to increased emphasis and sometimes romanticization of the everyday, as it was popularized by de Certau and LeFebvre, among others (p 141) Arguing against this romanticization, they instead suggest that maintaining a commitment to engaging material culture via ethnographic approaches touting open questions and data-guided conclusions can help scholars better understand the everyday routines Denim, they argue, is a great example of this because although it is globally recognizable and often studied from a marketing and branding standpoint, many people wearing jeans on the streets think of them as \"go-to\" pants when they don't want to have to think about their clothing This suggestion is supported by the fact that most of the authors' participants weren't able to recount what brand they were wearing during their interviewsBlue Jeans, as a detailed study situated within a larger project, provides multiple contributions to theories in material culture studies This ranges from the authors' concern for taking an ordinary item and unpacking its relationship to larger elements of culture and society, to unpacking problematic theoretical terms and their relationship with pressures in society to conform Within this, it also succeeds in avoiding the pitfalls of theorizing about material cultural only in polarized terms of power and resistance In addition to this work's theory-oriented contributions, the methods and approaches for this body of work were straightforward, insightful, and can provide modeling and discussion for researchers interested in conducting similar studiesMiller and Woodward's accessible language and combination of specific participant stories and larger extrapolations engage readers interested in both theory/content One potential critique for Blue Jeans is that, depending on the reader's background and interests, Miller and Woodward may allocate too much time toward a theory of the role of blue jeans rather than the materiality of blue jeans On the other hand, a more politically-oriented reader might ask Miller and Woodward to expand their discussion of certain theoretical arguments In response to the former critique, I suspect Miller and Woodward would refer the reader to their introduction, where they underscore the specific role of their local study, and the discussions about blue jeans, in developing their theories (p 3-4) Regarding the latter critique, Miller and Woodward assert that their theory-driven chapters are not meant to be prescriptive for all societies, and that the essence of their project remains rooted in the material culture and the empirical data they gathered in their ethnographic site (p 15)Blue Jeans provides a model wherein researchers can connect their localized methods and theories with a globalized and diverse network of methodologies In this, they highlight the vitality of material culture and its studies in the world They discuss, for example, the specific character of London and the specific neighborhood in which they situate their ethnographic perspective, and then suggest that the very arguments they make about blue jeans as a result of this local study can become moot if one considers the study of blue jeans in another part of the world By anchoring this work to one field site and project in tandem with a larger project engaging additional researchers, they are able to apply a comparative element and then develop further questions for future research Simultaneously, they succeed in arguing both for the ubiquity of blue jeans on the global front and for the value and possibilities associated with adhering to localized approaches to studying the same topic[Author Affiliation]Reviewed by Annemarie Galeucia, agaleu1@lsu. …","PeriodicalId":81941,"journal":{"name":"Material culture","volume":"606 1","pages":"69"},"PeriodicalIF":0.0000,"publicationDate":"2016-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Material culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5860/choice.49-6957","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 2

Abstract

Blue Jeans: The Art of the Ordinary By Daniel Miller and Sophie Woodward Berkeley and Los Angeles: University of California Press, 2012. vii + 169pp. Acknowledgements, bibliography and index. $63.00 (Hardcover), 978-0520272187; $27.95 (Softcover), 978-0520272194.Emerging from British material culture and cultural studies, anthropologist Daniel Miller and sociologist Sophie Woodward have spent the past several years building numerous studies associated with the clothing item most commonly referred to as "blue jeans" or "denim," which the authors use interchangeably In this book, they present a hybrid discussion of data and theories emerging from an ethnographic study of three connected London streets in a majority middle-class, mixed-ethnicity neighborhoodThe authors identify their initial goal for this study as simply to answer the question "Why do so many people wear jeans?" (p 3) Blue jeans are a common article of clothing that most people can identify and likely own In that regard, they are ordinary, everywhere But as Miller and Woodward demonstrate in Blue Jeans, once people start talking about their blue jeans, it's possible to uncover patterns associated with practical comfort, cost, appearance and identity, as well as a variety of other complex aspects of lived experience What this monograph offers as a result is an exploration into the complex role the clothing item plays not only in the London neighborhood the authors studied, but also on a broader geographic scale Similarly, Blue Jeans contributes practical and theoretical implications for cultural studies beyond Miller and Woodward's field siteAs a result of the early stages of this ethnographic study, the authors developed the Global Denim Project, which is discussed in Miller and Woodward's 2011 edited volume Global Denim (New York: Berg Press) Readers interested in varied geographic and methodological discussions of denim will benefit from reading Global Denim in juxtaposition with Blue Jeans, which acts as a stand-alone case study connected to the Global Denim ProjectMiller and Woodward's approach to denim in Blue Jeans, although initiated from a traditional open-ended ethnographic standpoint, developed into a multilayered quest to extrapolate understandings of social choices, conformity, identity, and normativity at a local and global scale The book is organized as follows: its early chapters explore the ethnographic approaches, questions, and participant stories that emerged from the authors' fieldwork, while the later chapters, though still discussing participant material, delve more deeply into theories of material culture (in this case, denim) and the concept of "ordinary "Miller and Woodward conclude Blue Jeans with a brief review of various theories of the ordinary, material culture, and identity associated with the everyday In these sections, they engage anthropological, sociological, performance, and various interdisciplinary resources to discuss how studies of ordinary items can both reinforce ideas about difference and hierarchy while also illuminating the ways people address social difference in their daily lives Further, these sections explore how people consciously (or unconsciously, as Miller and Woodward argue is the case for their London participants) use jeans as a form of relaxing, standardizing their wardrobe, or regulating their day (e g , finishing the work day and putting on jeans, or vice versa)In their concluding paragraphs, Miller and Woodward distinguish between ordinary and normative, suggesting that studies of the ordinary can provide an alternative approach for anthropologists who feel confined by the theoretical and ideological implications of normativity The concept "ordinary" works, they suggest, precisely because it is an embodied practice, a nonissue, and through studying people's use of this ordinary material item, there is significant opportunity to explore their personal and material engagement with the world without having to fret about intentionality, duty, aspiration or identity (p 136)From a sociological perspective, Miller and Woodward argue that the term ordinary, though related to the term everyday, has important distinctions Ordinary and routine are intimately interconnected, they contend, and are often overlooked due to increased emphasis and sometimes romanticization of the everyday, as it was popularized by de Certau and LeFebvre, among others (p 141) Arguing against this romanticization, they instead suggest that maintaining a commitment to engaging material culture via ethnographic approaches touting open questions and data-guided conclusions can help scholars better understand the everyday routines Denim, they argue, is a great example of this because although it is globally recognizable and often studied from a marketing and branding standpoint, many people wearing jeans on the streets think of them as "go-to" pants when they don't want to have to think about their clothing This suggestion is supported by the fact that most of the authors' participants weren't able to recount what brand they were wearing during their interviewsBlue Jeans, as a detailed study situated within a larger project, provides multiple contributions to theories in material culture studies This ranges from the authors' concern for taking an ordinary item and unpacking its relationship to larger elements of culture and society, to unpacking problematic theoretical terms and their relationship with pressures in society to conform Within this, it also succeeds in avoiding the pitfalls of theorizing about material cultural only in polarized terms of power and resistance In addition to this work's theory-oriented contributions, the methods and approaches for this body of work were straightforward, insightful, and can provide modeling and discussion for researchers interested in conducting similar studiesMiller and Woodward's accessible language and combination of specific participant stories and larger extrapolations engage readers interested in both theory/content One potential critique for Blue Jeans is that, depending on the reader's background and interests, Miller and Woodward may allocate too much time toward a theory of the role of blue jeans rather than the materiality of blue jeans On the other hand, a more politically-oriented reader might ask Miller and Woodward to expand their discussion of certain theoretical arguments In response to the former critique, I suspect Miller and Woodward would refer the reader to their introduction, where they underscore the specific role of their local study, and the discussions about blue jeans, in developing their theories (p 3-4) Regarding the latter critique, Miller and Woodward assert that their theory-driven chapters are not meant to be prescriptive for all societies, and that the essence of their project remains rooted in the material culture and the empirical data they gathered in their ethnographic site (p 15)Blue Jeans provides a model wherein researchers can connect their localized methods and theories with a globalized and diverse network of methodologies In this, they highlight the vitality of material culture and its studies in the world They discuss, for example, the specific character of London and the specific neighborhood in which they situate their ethnographic perspective, and then suggest that the very arguments they make about blue jeans as a result of this local study can become moot if one considers the study of blue jeans in another part of the world By anchoring this work to one field site and project in tandem with a larger project engaging additional researchers, they are able to apply a comparative element and then develop further questions for future research Simultaneously, they succeed in arguing both for the ubiquity of blue jeans on the global front and for the value and possibilities associated with adhering to localized approaches to studying the same topic[Author Affiliation]Reviewed by Annemarie Galeucia, agaleu1@lsu. …
蓝色牛仔裤:平凡的艺术
《蓝色牛仔裤:平凡的艺术》丹尼尔·米勒和索菲·伍德沃德著,伯克利和洛杉矶:加州大学出版社,2012年。Vii + 169pp。致谢、参考书目和索引。$63.00(精装),978-0520272187;$27.95(软装),978-0520272194。人类学家丹尼尔·米勒和社会学家索菲·伍德沃德从英国的物质文化和文化研究中兴起,在过去的几年里,他们花了大量的时间来研究这种最常被称为“蓝色牛仔裤”或“牛仔布”的服装,在这本书中,他们提出了一种混合的数据和理论的讨论,这些数据和理论来自于一项民族志研究,该研究对伦敦三条相连的街道进行了研究,这些街道位于一个以中产阶级为主的混合种族社区。作者认为,他们进行这项研究的最初目标只是为了回答这个问题:“为什么这么多人穿牛仔裤?”(3页)蓝色牛仔裤是一个常见的服饰,大多数人可以识别并可能自己的在这方面,他们是普通,无处不在但米勒和伍德沃德演示在蓝色牛仔裤,一旦人们开始谈论他们的蓝色牛仔裤,可以揭示模式与实用舒适、成本、外观和身份,以及生活经验的其他各种复杂方面,因此,这本专着提供的是对服装项目的复杂角色的探索,不仅在作者研究的伦敦社区,而且在更广泛的地理范围内。同样,蓝色牛仔裤为米勒和伍德沃德的田野之外的文化研究提供了实践和理论意义,这是人种学研究早期阶段的结果,作者开发了全球牛仔项目,米勒和伍德沃德2011年编辑的《全球牛仔》(纽约)中对此进行了讨论。对牛仔布的各种地理和方法论讨论感兴趣的读者将受益于阅读《全球牛仔布与蓝色牛仔》,它作为与全球牛仔布项目相关的独立案例研究。米勒和伍德沃德对蓝色牛仔布的研究方法,虽然是从传统的开放式人种学的角度开始的,但发展成为一种多层次的探索,以推断对社会选择、一致性、身份、以及在地方和全球范围内的规范性。本书的组织如下:它的前几章探讨了民族志的方法、问题和参与者的故事,这些都是从作者的田野调查中浮现出来的,而后面的章节,虽然仍然在讨论参与者的材料,但更深入地研究了物质文化理论(在这种情况下,是牛仔布)和“普通”的概念,米勒和伍德沃德在总结《蓝色牛仔裤》时,简要回顾了与日常生活相关的各种普通、物质文化和身份的理论。他们利用人类学、社会学、表演和各种跨学科的资源,讨论了对普通物品的研究如何既能强化关于差异和等级的观念,又能阐明人们在日常生活中处理社会差异的方式。此外,这些部分探讨了人们如何有意识地(或无意识地,正如米勒和伍德沃德为他们的伦敦参与者所论证的那样)使用牛仔裤作为放松的一种形式,使他们的衣橱标准化,在他们的结论段落中,米勒和伍德沃德区分了普通和规范,表明对普通的研究可以为那些感到被规范性的理论和意识形态含义所限制的人类学家提供另一种方法。他们认为,“普通”的概念起作用,正是因为它是一种具体化的实践,一个无关紧要的问题。通过研究人们对这种普通物质物品的使用,我们有很大的机会来探索他们与世界的个人和物质接触,而不必为意向性、责任、愿望或身份而烦恼(第136页)。从社会学的角度来看,米勒和伍德沃德认为,“普通”一词虽然与“日常”一词有关,但有重要的区别,他们认为,“普通”和“常规”密切相关。并且经常被忽视,因为对日常生活的强调越来越多,有时甚至被浪漫化,正如德·瑟尔托和勒斐伏尔等人所推广的那样(第141页)。他们反对这种浪漫化,相反,他们认为,通过民族人类学的方法,吹捧开放的问题和数据指导的结论,保持对物质文化的承诺,可以帮助学者更好地理解日常生活。这是一个很好的例子,因为尽管它是全球公认的,并且经常从营销和品牌的角度进行研究,但许多在街上穿牛仔裤的人认为它们是“首选”裤子,因为他们不想考虑自己的衣服 《蓝色牛仔裤:平凡的艺术》丹尼尔·米勒和索菲·伍德沃德著,伯克利和洛杉矶:加州大学出版社,2012年。Vii + 169pp。致谢、参考书目和索引。$63.00(精装),978-0520272187;$27.95(软装),978-0520272194。 人类学家丹尼尔·米勒和社会学家索菲·伍德沃德从英国的物质文化和文化研究中兴起,在过去的几年里,他们花了大量的时间来研究这种最常被称为“蓝色牛仔裤”或“牛仔布”的服装,在这本书中,他们提出了一种混合的数据和理论的讨论,这些数据和理论来自于一项民族志研究,该研究对伦敦三条相连的街道进行了研究,这些街道位于一个以中产阶级为主的混合种族社区。作者认为,他们这项研究的最初目标只是为了回答这个问题:“为什么这么多人穿牛仔裤?”
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