Hypernormal Films for Postnormal Times: The Documentary Dance of Adam Curtis

Boyd Tonkin
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引用次数: 1

Abstract

Abstract Since the early 1990s, documentary filmmaker Adam Curtis has created landmark, multi-episode series for the BBC that explore the emotional and social impact of change in dominant forms of power, communication and control. Together, his ambitious visual essays compose a secret history of technology-driven modernity, as a managerial model of radical individualism governed by data-gathering and surveillance replaces traditional mass politics. This process, which Curtis calls “hypernormalisation,” has affinities with the conception of “postnormal times” developed by Ziauddin Sardar. However, the two visions differ in significant ways, while Curtis’s analysis shows signs of evolving as flaws emerge in the stable systems his work foregrounds.
后正常时代的超正常电影:亚当·柯蒂斯的纪录片之舞
自20世纪90年代初以来,纪录片导演亚当·柯蒂斯(Adam Curtis)为英国广播公司(BBC)制作了一系列具有里程碑意义的多集系列纪录片,探讨了权力、沟通和控制的主要形式变化对情感和社会的影响。他雄心勃勃的视觉散文共同构成了一部由技术驱动的现代性的秘密历史,作为一种由数据收集和监视控制的激进个人主义的管理模式,取代了传统的大众政治。这个过程,柯蒂斯称之为“超正常化”,与齐亚丁·萨达尔提出的“后正常时代”的概念有密切关系。然而,这两种观点在很大程度上是不同的,而柯蒂斯的分析显示出随着他的工作所展望的稳定系统出现缺陷而演变的迹象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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