{"title":"The Pedagogy of Creativity","authors":"M. Rutland","doi":"10.5860/choice.48-2814","DOIUrl":null,"url":null,"abstract":"The book is very interesting in that the author Anna Herbert \nattempts to use the views of a number of psychological \nanalysts to explain how different theories can be used to \ndevelop creativity in the classroom and overcome factors \nthat prevent a creative environment. Taking a classroom based example of post-structuralist methodology as a \nstarting point, she explores the relationship between \ncreativity as seen in psychological activity, such as dreams, \nand creativity as seen in the classroom. She asks the \nfollowing questions: \n• What might a methodology which taps into different \nforms of creativity look like? \n• Could such methodology support current \nneuropsychological theories of memory and learning? \n• What are the consequences of imaginary and symbolic \norders of knowledge for understanding of both","PeriodicalId":92773,"journal":{"name":"Design and technology education : an international journal","volume":"62 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2017-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Design and technology education : an international journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5860/choice.48-2814","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The book is very interesting in that the author Anna Herbert
attempts to use the views of a number of psychological
analysts to explain how different theories can be used to
develop creativity in the classroom and overcome factors
that prevent a creative environment. Taking a classroom based example of post-structuralist methodology as a
starting point, she explores the relationship between
creativity as seen in psychological activity, such as dreams,
and creativity as seen in the classroom. She asks the
following questions:
• What might a methodology which taps into different
forms of creativity look like?
• Could such methodology support current
neuropsychological theories of memory and learning?
• What are the consequences of imaginary and symbolic
orders of knowledge for understanding of both