{"title":"Bleacher Bugs and Fifty-Centers: The Social Stratification of Baseball Fans through Stadium Design, 1880–1920","authors":"P. Carlino","doi":"10.5749/buildland.28.1.0005","DOIUrl":null,"url":null,"abstract":"abstract:Between 1860 and 1920, Americans grappled with the demographic and political changes of modernization. American baseball-team owners used furniture selection and arrangement to invite upperand middle-class native-born white men and women to the center of spectatorship and to marginalize nonwhite, immigrant, and working-class fans. Owners installed a new type of seating, the opera chair, to tame rowdy male audiences and protect the bodies of white women who attended frequent ladies' days. In newspapers, owners and sportswriters stereotyped spectators by seating section. Fans embraced, and at times resisted, the status imposed upon them through stadium design. A close reading of the interior landscape recorded in newspaper descriptions and photographs reveals spaces divided into hierarchical groups designed to assuage the anxieties of bourgeois white audiences. Professional baseball teams invited all into communal spectatorship to watch the national game, but segregated fans in pursuit of profit.","PeriodicalId":41826,"journal":{"name":"Buildings & Landscapes-Journal of the Vernacular Architecture Forum","volume":"10 1","pages":"29 - 5"},"PeriodicalIF":0.2000,"publicationDate":"2021-07-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Buildings & Landscapes-Journal of the Vernacular Architecture Forum","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5749/buildland.28.1.0005","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
引用次数: 2
Abstract
abstract:Between 1860 and 1920, Americans grappled with the demographic and political changes of modernization. American baseball-team owners used furniture selection and arrangement to invite upperand middle-class native-born white men and women to the center of spectatorship and to marginalize nonwhite, immigrant, and working-class fans. Owners installed a new type of seating, the opera chair, to tame rowdy male audiences and protect the bodies of white women who attended frequent ladies' days. In newspapers, owners and sportswriters stereotyped spectators by seating section. Fans embraced, and at times resisted, the status imposed upon them through stadium design. A close reading of the interior landscape recorded in newspaper descriptions and photographs reveals spaces divided into hierarchical groups designed to assuage the anxieties of bourgeois white audiences. Professional baseball teams invited all into communal spectatorship to watch the national game, but segregated fans in pursuit of profit.
期刊介绍:
Buildings & Landscapes is the leading source for scholarly work on vernacular architecture of North America and beyond. The journal continues VAF’s tradition of scholarly publication going back to the first Perspectives in Vernacular Architecture in 1982. Published through the University of Minnesota Press since 2007, the journal moved from one to two issues per year in 2009. Buildings & Landscapes examines the places that people build and experience every day: houses and cities, farmsteads and alleys, churches and courthouses, subdivisions and shopping malls. The journal’s contributorsundefinedhistorians and architectural historians, preservationists and architects, geographers, anthropologists and folklorists, and others whose work involves documenting, analyzing, and interpreting vernacular formsundefinedapproach the built environment as a windows into human life and culture, basing their scholarship on both fieldwork and archival research. The editors encourage submission of articles that explore the ways the built environment shapes everyday life within and beyond North America.