Caliban’s Dance: FE after The Tempest

IF 16.4 1区 化学 Q1 CHEMISTRY, MULTIDISCIPLINARY
C. Donovan
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引用次数: 0

Abstract

This contribution to the field of further education (FE) literature marks the final in a trilogy which maximises the use of metaphor to explore and critique the (predominantly English) sector as it was, as it is, and – as this volume professes – what it could be free of constraints. The first volume, Further Education and the Twelve Dancing Princesses (Daley, Orr, and Petrie 2015), identified spaces for resistance in a sector permeated by neoliberal dominance. The second, The Principal: Power and Professionalism in FE (Daley, Orr, and Petrie 2017) used Machiavelli’s ‘The Prince’ as a trope for leadership to examine the impact of new managerialism. This final volume plays with themes within Shakespeare’s The Tempest to explore FE as a colonised space, and to imagine utopian possibilities for a liberated sector. From the play, the island’s indigenous inhabitant, Caliban, is variously cast as the student, the teacher, the college and the sector itself; to represent the marginalised and disenfranchised. This offers authors the opportunity to imagine what would happen could the sector speak for itself. Academics, researchers, and teachers from across the FE wilderness unleash their inner playwrights, poets and artists; playfully applying their expertise to arrive anew at the age-old problems facing post-compulsory education. In doing so they bring the contested nature of FE to the fore; and the struggle to address the perennial question of purpose in the sector. A book of three acts, the authors wrangle with this question across nineteen essays with permission to think unbounded to conventional wisdom. In so doing, they set about creating a new paradigm much needed not just for FE, but for a world in existential crisis. That the conclusion of this book coincided with the global COVID-19 pandemic gives questions of this kind a renewed sense of urgency. While the themes discussed predominantly concern the English FE sector, the message of this book has a broader purpose and speaks to issues in vocational education that will be recognisable to colleagues across national contexts. I.
卡利班之舞:暴风雨后的FE
这对继续教育(FE)文学领域的贡献标志着三部曲的最后一部分,三部曲最大限度地利用隐喻来探索和批评(主要是英语)部门,因为它曾经是,因为它是,以及-正如本卷所宣称的-它可以摆脱束缚。第一卷《继续教育和十二位跳舞的公主》(Daley, Orr, and Petrie, 2015)指出了在新自由主义主导的领域中存在的抵抗空间。第二篇,《校长:FE中的权力和专业主义》(Daley, Orr, and Petrie, 2017)使用马基雅维利的《君主论》作为领导力的比喻来研究新管理主义的影响。这本书的最后一卷以莎士比亚的《暴风雨》为主题,探讨了FE作为一个被殖民的空间,并想象了一个被解放的领域的乌托邦可能性。在剧中,岛上的土著居民卡利班(Caliban)扮演了学生、教师、大学和部门本身的各种角色;代表被边缘化和被剥夺权利的人。这为作者提供了一个机会,让他们想象,如果这个行业自己说话,会发生什么。来自英国各地的学者、研究人员和教师释放了他们内心的剧作家、诗人和艺术家;有趣地运用他们的专业知识,重新审视义务教育后面临的古老问题。在这样做的过程中,他们将财经的争议性带到了前台;以及解决该行业长期存在的目标问题的努力。这本书分三幕,作者在十九篇文章中讨论了这个问题,并允许他们不受传统智慧的限制。在这样做的过程中,他们开始创造一种新的范式,不仅对经济,而且对一个处于生存危机中的世界都是非常需要的。这本书的结论恰逢全球COVID-19大流行,这给了这类问题新的紧迫感。虽然讨论的主题主要涉及英语教育部门,但本书的信息具有更广泛的目的,并涉及职业教育中的问题,这些问题将为各国的同事所认可。我。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Accounts of Chemical Research
Accounts of Chemical Research 化学-化学综合
CiteScore
31.40
自引率
1.10%
发文量
312
审稿时长
2 months
期刊介绍: Accounts of Chemical Research presents short, concise and critical articles offering easy-to-read overviews of basic research and applications in all areas of chemistry and biochemistry. These short reviews focus on research from the author’s own laboratory and are designed to teach the reader about a research project. In addition, Accounts of Chemical Research publishes commentaries that give an informed opinion on a current research problem. Special Issues online are devoted to a single topic of unusual activity and significance. Accounts of Chemical Research replaces the traditional article abstract with an article "Conspectus." These entries synopsize the research affording the reader a closer look at the content and significance of an article. Through this provision of a more detailed description of the article contents, the Conspectus enhances the article's discoverability by search engines and the exposure for the research.
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