Sheila A. Spector, The Evolution of Blake’s Myth

Q3 Arts and Humanities

Blake - An Illustrated Quarterly Pub Date : 2021-10-06 DOI:10.47761/biq.292

R. Yoder

引用次数: 0

Abstract

Spector has spent much of her career championing a “canon of rejected knowledge” that she describes in her book as having been “extirpated from the bibliographies of acceptable resources” (330). The Evolution of Blake’s Myth is her most ambitious and persuasive statement yet on the importance of esoteric or “hidden” traditions, largely Kabbalistic, to Blake’s work. Spector discusses almost all of Blake’s illuminated books and a good number of his paintings; she also develops a vocabulary for Blake’s composite art that allows for a consistently integrated discussion of text and design.

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希拉·a·斯佩克特，《布莱克神话的演变》

斯佩克特在她的职业生涯中花了很多时间来支持“被拒绝的知识的经典”，她在书中描述这些知识已经“从可接受的资源的参考书目中消失”(330)。布莱克神话的演变是她对深奥或“隐藏”传统的重要性最雄心勃勃和最有说服力的陈述，主要是卡巴拉，对布莱克的工作。斯佩克特讨论了布莱克几乎所有的彩绘书籍和他的许多画作;她还为Blake的复合艺术开发了一个词汇表，允许对文本和设计进行一致的综合讨论。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Blake - An Illustrated Quarterly Arts and Humanities-Literature and Literary Theory

CiteScore

0.10

自引率

0.00%

发文量

期刊介绍： Blake/An Illustrated Quarterly was born as the Blake Newsletter on a mimeograph machine at the University of California, Berkeley in 1967. Edited by Morton D. Paley, the first issue ran to nine pages, was available for a yearly subscription rate of two dollars for four issues, and included the fateful words, "As far as editorial policy is concerned, I think the Newsletter should be just that—not an incipient journal." The production office of the Newsletter relocated to the University of New Mexico when Morris Eaves became co-editor in 1970, and then moved with him in 1986 to its present home at the University of Rochester.