Public narratives in modern Russian cinematography

Q1 Social Sciences

Russian Journal of Communication Pub Date : 2020-01-02 DOI:10.1080/19409419.2020.1726163

S. Gerasimov, Pavel S. Tereshchenko

引用次数: 1

Abstract

ABSTRACT This article investigates the narratives and presents analytical profiles of the Russian movies made over a period of three years (2016–2018). The article analyzes, systematizes, and visualizes the dynamics of the main trends and shifts of the narratives in modern Russian cinematography. The analysis demonstrates how the narratives are influenced by support from the government and independent cinematography. The distinction in the narratives of government-sponsored and independent cinematography is examined through visual models based on experts’ narrative evaluation.

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现代俄罗斯电影摄影中的公共叙事

本文调查了三年来(2016-2018年)俄罗斯电影的叙事和分析概况。本文对现代俄罗斯电影叙事的主要趋势和转变的动态进行了分析、系统化和可视化。分析表明叙事是如何受到政府支持和独立摄影的影响的。在专家叙事评价的基础上，通过视觉模型考察了政府赞助电影和独立电影叙事的区别。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Russian Journal of Communication Social Sciences-Political Science and International Relations

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期刊介绍： Russian Journal of Communication (RJC) is an international peer-reviewed academic publication devoted to studies of communication in, with, and about Russia and Russian-speaking communities around the world. RJC welcomes both humanistic and social scientific scholarly approaches to communication, which is broadly construed to include mediated information as well as face-to-face interactions. RJC seeks papers and book reviews on topics including philosophy of communication, traditional and new media, film, literature, rhetoric, journalism, information-communication technologies, cultural practices, organizational and group dynamics, interpersonal communication, communication in instructional contexts, advertising, public relations, political campaigns, legal proceedings, environmental and health matters, and communication policy.