FORMATION OF CULTURAL VALUES OF STUDENTS IN THE PROCESSING OF RUSSIAN FOLK SONGS

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
E. N. Chernysheva, S. Tyaglova
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Abstract

The article proposes the author's version of the in-depth work with the folk original source, which contributes to the formation of cultural values of students in the course of the Arrangement course of the teaching course Academic Choir at the Tyumen State Institute of Culture. A distinctive feature of the course is the regional component – Russian folk songs of the Tyumen region and the region are used as musical material for student work. As part of the study, we identified the following contradictions: – between the prescription of the State educational standards on interdisciplinary disciplines, the student's ability to navigate in the diversity of culture and the competences offered by the curriculum for the discipline “Arrangement”, which are focused on creating a new creative product; – between the student’s constant need for creative self-realization and the insufficiently high level of his creative skills; – between installations of legislation in the field of education for the education of the individual with a high level of education, morality, and value installations that are incorrectly laid down by the mass culture. Therefore, we position the processing of a folk song not as an end in itself, but as a means of personal involvement of the student in the culture of his people, the transmission of sociocultural experience between generations. The goal of the “Arrangement” course is to create a value attitude of students to Russian culture in the process of creative work with a folk original source (Russian folk song) by expanding the course’s objectives to interdisciplinary and research (problem-searching, creative, heuristic, etc.), activating cognitive and creative activity of students. Formation of students' value attitude to the Russian folk musical culture in the process of creative work with a folk song, we propose to carry out at the following stages: search, motivational-incentive, research, analytical, creative, performing. Through contact with the sample of Russian song and its transformation, a student's interest in his origins, his pedigree, and cultural norms in the way of life and art is awakened. The effectiveness of the formation of cultural values of students through the Russian folk song is determined under the condition of positive motivation and initiative of students to learn cultural values, subject-subject interaction between the teacher and the student, enhancing independent cognitive activity, introducing the student to artistic creativity, creating conditions for self-discovery.
俄罗斯民歌加工中学生文化价值观的形成
在秋明国立文化学院《学术合唱团》教学课程的编曲课程中,提出了笔者对民间原始资料的深入研究,有助于学生文化价值观的形成。该课程的一个显著特点是地区成分-秋明地区的俄罗斯民歌和该地区被用作学生工作的音乐材料。作为研究的一部分,我们发现了以下矛盾:-在国家跨学科学科教育标准的规定之间,学生在文化多样性中导航的能力与学科“安排”课程提供的能力之间,该课程侧重于创造新的创意产品;-学生不断需要创造性的自我实现,而他的创造性技能水平却不够高;-在教育领域的立法装置之间,对具有高水平教育、道德和价值装置的个人进行教育,这些装置被大众文化错误地设定。因此,我们将民歌的加工本身不是目的,而是学生个人参与其民族文化的一种手段,是代际之间社会文化经验的传递。《编曲》课程的目标是通过将课程目标扩展到跨学科和研究性(寻究式、创造性、启发式等),激活学生的认知和创造活动,在以民间原创来源(俄罗斯民歌)进行创造性工作的过程中,培养学生对俄罗斯文化的价值态度。在民歌创作过程中形成学生对俄罗斯民族音乐文化的价值态度,建议从寻找、动机-激励、研究、分析、创作、表演四个阶段进行。通过接触俄罗斯歌曲的样本及其转变,学生对他的起源,他的血统,以及生活和艺术方式的文化规范的兴趣被唤醒。学生通过俄罗斯民歌形成文化价值观的有效性取决于学生学习文化价值观的积极动机和主动性,师生之间的主体-主体互动,增强自主认知活动,引导学生进行艺术创造,为自我发现创造条件。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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