The Aesthetics of Post Bellum: From Umberto Eco to Abu al-ʿAlaʾ al-Maʿarri

IF 0.3 3区 文学 0 LITERATURE
Asmaa Essakouti, Hossein Dabbagh
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引用次数: 0

Abstract

ABSTRACT War is evil, yet it brings about works of art and literature. Even so, is it ethically acceptable to wage a war in spite of all its bloody consequences, just because it may inspire some artistic masterpieces? It seems not. And is it ethically acceptable to appreciate the works of art triggered by war? This paper argues that since wars do not happen with our consent, the least that can be done is to transform them ethically, or aesthetically, towards a common good, building on individual imagination and social memory. This aesthetic justification of the consequences of war is demonstrated by examining some of the writings in English, French and Arabic literature, such as, Eco’s Inventing the Enemy, Baudelaire’s Les Fleurs du Mal, al-Maʿarri’s The Epistle of Forgiveness and The Arabian Nights, etc.
后战争时期的美学:从翁贝托·艾柯到阿布·阿尔-阿拉·阿尔-马·阿尔里
战争是邪恶的,但它带来了艺术和文学作品。即便如此,仅仅因为可能激发一些艺术杰作的灵感而发动一场战争,不顾所有血腥的后果,在道德上是否可以接受?似乎不是。欣赏由战争引发的艺术作品在道德上是否可以接受?本文认为,既然战争不是在我们同意的情况下发生的,那么至少我们可以做的是,在个人想象和社会记忆的基础上,从道德上或美学上把战争转变为共同的利益。这种对战争后果的审美辩护可以通过考察一些英语、法语和阿拉伯文学作品来证明,比如艾科的《发明敌人》、波德莱尔的《Mal之花》、al-Ma - al- arri的《宽恕的书信》和《一千零一夜》等。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Comparative Literature East  West
Comparative Literature East West Arts and Humanities-Literature and Literary Theory
CiteScore
0.50
自引率
0.00%
发文量
14
审稿时长
20 weeks
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