Contemplating “Return”: Xie Lingyun’s “Hillside Garden”

Q3 Arts and Humanities
Pingxiao Wang
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引用次数: 0

Abstract

Xie Lingyun was the first of China’s great nature poets. As the most celebrated poet in fifth-century China and a histrionic scion of the illustrious Xie clan of the Eastern Jin, he had cultural influence that extended beyond the literary into religion and philosophy. This article examines Xie’s poetic exploration of the concept of “return” – an important rhetorical trope throughout the history of Chinese literature. By close reading, annotating, and analyzing a selection of Xie’s poems, the article sheds light on the poet’s obsession with instability in the meaning of “return” and argues that beneath the compliant poetic surface lies a saliently dissenting voice. Xie’s distinctive imagery and ideation emerge from an intricate deployment of earlier texts, among which the Classic of Changes is of paramount importance.
思考“回归”:谢灵云的“山腰花园”
谢灵运是中国第一位伟大的自然诗人。作为五世纪中国最著名的诗人和东晋著名的谢氏家族的戏剧后裔,他的文化影响从文学延伸到宗教和哲学。本文考察了谢对中国文学史上一个重要修辞修辞“回归”概念的诗歌探索。本文通过细读、注释和分析谢诗选,揭示了诗人对“回归”意义上的不稳定的痴迷,并认为在顺从的诗歌表面下隐藏着一种明显的反对声音。解振华独特的意象和构思源于对早期文本的复杂运用,其中《易经》最为重要。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of Chinese Humanities
Journal of Chinese Humanities Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
14
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