{"title":"The Others of the Ravine","authors":"Daniasa Curbelo","doi":"10.1215/23289252-9311074","DOIUrl":null,"url":null,"abstract":"\n In the society and culture of the Canary Islands, ravines (barrancos in Spanish) are spaces that contain a wealth of meanings and perceptions attached to a collective imagination. These natural scars that mark and characterize the island's geography represent scenes of dissidence, as will be shown through the spatial and geographic stories of various transsexuals and transvestites who lived in Tenerife between 1970 and 1990; the specific character of their testimonials is situated in a specific context: El Cabo, a barrio in Tenerife, as well as the Santos Ravine (Barranco de Santos in Spanish). The state repression, marginalization, and violence against sexually dissident people during this age will be the main context of analysis. In a brief journey through history, these aspects will be placed in relation to key events from the Francoist dictatorship on the islands, a travel journal of the nineteenth century, and passages from the conquest of the Canary Islands in which the ravines, among them the Santos Ravine itself, take on a relevant importance. Finally, this study will mention the existence of a chapel consecrated to the Virgin of Candelaria in this environment as possibly the most significant crystallization of the otherness of the ravine. This study thereby contemplates reviewing these spaces on the basis of their formation as media in which specific Canary Island subjectivities can be located.","PeriodicalId":44767,"journal":{"name":"TSQ-Transgender Studies Quarterly","volume":"17 1","pages":""},"PeriodicalIF":1.8000,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"TSQ-Transgender Studies Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/23289252-9311074","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"SOCIAL SCIENCES, INTERDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
In the society and culture of the Canary Islands, ravines (barrancos in Spanish) are spaces that contain a wealth of meanings and perceptions attached to a collective imagination. These natural scars that mark and characterize the island's geography represent scenes of dissidence, as will be shown through the spatial and geographic stories of various transsexuals and transvestites who lived in Tenerife between 1970 and 1990; the specific character of their testimonials is situated in a specific context: El Cabo, a barrio in Tenerife, as well as the Santos Ravine (Barranco de Santos in Spanish). The state repression, marginalization, and violence against sexually dissident people during this age will be the main context of analysis. In a brief journey through history, these aspects will be placed in relation to key events from the Francoist dictatorship on the islands, a travel journal of the nineteenth century, and passages from the conquest of the Canary Islands in which the ravines, among them the Santos Ravine itself, take on a relevant importance. Finally, this study will mention the existence of a chapel consecrated to the Virgin of Candelaria in this environment as possibly the most significant crystallization of the otherness of the ravine. This study thereby contemplates reviewing these spaces on the basis of their formation as media in which specific Canary Island subjectivities can be located.
在加那利群岛的社会和文化中,峡谷(西班牙语为barrancos)是一个包含丰富意义和感知的空间,与集体想象有关。这些自然的伤疤,标志着岛上的地理特征,代表着不同政见的场景,这将通过1970年至1990年期间生活在特内里费岛的各种变性人和异装癖者的空间和地理故事来展示;他们的证言的特定特征位于特定的背景下:特内里费岛的一个barrio El Cabo,以及Santos峡谷(西班牙语为Barranco de Santos)。在这个时代,国家对性异见者的镇压、边缘化和暴力将是分析的主要背景。在一个简短的历史之旅中,这些方面将与弗朗哥在岛上的独裁统治、19世纪的一本旅行杂志以及征服加那利群岛的段落联系起来,其中峡谷,包括桑托斯峡谷本身,具有相关的重要性。最后,这个研究将提到在这个环境中有一个奉献给坎德拉里亚圣母的小教堂,这可能是峡谷差异性最重要的结晶。因此,本研究考虑在这些空间作为媒介形成的基础上对它们进行审查,在这些媒介中可以定位特定的加那利群岛主体性。