Metrical Psalm-Singing and Emotion in Scottish Protestant Affective Piety, 1560–1650

IF 0.1 0 MEDIEVAL & RENAISSANCE STUDIES
Nathan C. J. Hood
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引用次数: 1

Abstract

ABSTRACT Psalm-singing was an emotional experience for early modern Scottish Protestants. This article explores the affective dimension of this practice. It identifies the experiences Scots had when they sang the metrical psalms, investigates why psalm-singing stimulated these emotional episodes, and situates the activity's role within the broader framework of Scottish Protestant introspective piety. The paper initially argues that many Scottish Protestants enjoyed psalm-singing. Particularly, listening to and singing the words and melodies of the psalms stimulated desired emotional experiences. The article's second part establishes that some Scottish Protestants approached psalm-singing as a form of prayer. Consequently, psalm-singing expressed lyrically and melodically the emotions – the speech of the soul to God in prayer – of the singer. The paper concludes that because psalm-singing evoked and expressed religious emotions, it constituted a core practice in Scottish Protestant piety.
1560-1650年苏格兰新教徒情感虔诚中的格律诗篇演唱与情感
对近代早期的苏格兰新教徒来说,唱赞美诗是一种情感体验。本文探讨了这种做法的情感维度。它确定了苏格兰人在唱韵律诗篇时的经历,研究了为什么唱诗篇会刺激这些情感事件,并将这种活动的作用置于苏格兰新教内省虔诚的更广泛框架中。该报最初认为,许多苏格兰新教徒喜欢唱赞美诗。特别是,听和唱诗篇的歌词和旋律刺激了期望的情感体验。文章的第二部分确立了一些苏格兰新教徒将唱赞美诗作为一种祈祷形式。因此,唱赞美诗抒情而有旋律地表达了情感——歌手在祈祷中对上帝的灵魂讲话。本文的结论是,由于圣歌唤起和表达了宗教情感,它构成了苏格兰新教虔诚的核心实践。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
REFORMATION & RENAISSANCE REVIEW
REFORMATION & RENAISSANCE REVIEW MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.40
自引率
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发文量
10
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