Cultural Coup D’etat

IF 1.7 3区 文学 Q2 COMMUNICATION
Dal Yong Jin
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引用次数: 10

Abstract

AbstractThe article clarifies the cause of the changes of the Korean cultural policy with a special focus on the screen quota system. As a starting point of the discussion, it documents the way in which the screen quota system has been maintained or developed under neoliberal globalisation. Korea has been one of few countries that have resisted Hollywood’s hegemony over the decades with some success. The article then examines how the UNESCO has reaffirmed the right of sovereign states to maintain and implement polices that protect and promote cultural expression in order to investigate whether the UNESCO convention has provided legal protections to local culture and cultural sovereignty. Finally, the paper discusses why the Korean government has initiated the rapid policy change in the screen quota in relation to the U.S. pressure. The key question will be the role of the nation-state in the process of the changing cultural politics in the UNESCO convention era.
文化政变
摘要本文以影片配额制为重点,阐述了韩国文化政策变化的原因。作为讨论的起点,它记录了在新自由主义全球化下,电影配额制度是如何维持或发展的。几十年来,韩国是少数几个成功抵抗好莱坞霸权的国家之一。然后,本文考察了联合国教科文组织如何重申主权国家维护和实施保护和促进文化表达的政策的权利,以调查联合国教科文组织公约是否为当地文化和文化主权提供了法律保护。最后,本文讨论了为什么韩国政府在美国的压力下启动了电影配额的快速政策变化。关键问题将是民族国家在联合国教科文组织公约时代不断变化的文化政治过程中的作用。
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来源期刊
Javnost-The Public
Javnost-The Public COMMUNICATION-
CiteScore
2.50
自引率
0.00%
发文量
13
期刊介绍: Javnost - The Public, an interdisciplinary peer-reviewed social and cultural science journal published by the European Institute for Communication and Culture in association with the Faculty of Social Sciences, University of Ljubljana, addresses problems of the public sphere on international and interdisciplinary levels. It encourages the development of theory and research, and helps understand differences between cultures. Contributors confront problems of the public, public communication, public opinion, public discourse, publicness, publicity, and public life from a variety of disciplinary and theoretical perspectives.
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