The Constitution of Sanjak-Montenegrin Bosniak’s History Within Husein Bašić’s Pentalogy “Replacements”

Elbisa Ustamujić
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Abstract

: The paper analyzes the novels of symbolic titles: Other Nests, A Gate Without a Key, Bones and Crows, Barren Turkish, White Asians, integrated in the roman-fleuve Replacements (2000). The key starting point of this confessional chronicle’s chronotope are the decisions in Berlin regarding the withdrawal of Turkish troops and the changes of borders in the Balkans. Being led to tragic consequences, Bosniaks, the Islamic Slavic population, were given the burden of “Turkish guilt”. Confronted with stigmatization, Bosniaks experienced persecution, ethnic cleansing, mass and individual murders, and emigration to Turkey. Their name, national and cultural identity, homeland, state, and existence were called into question. Questioning his life as a clerk in the Imperial Archives, Ibrahim Žioc, the narrator, recounts little stories of great significance concerning human life and destiny. He produces panoramic, temporal sections which pose as compensation for the taboo subject of historical discourse regarding the Sanjak-Montenegrin Bosniaks’ destiny. Documenting the violence and the exodus of the people forced to face numerous forms of terror, the narration rhythmically accents wondrous stories, extraordinary portraits, and characters, remarkable examples of human kindliness, compassion, and humorous remarks. Employing his poetic talent, Husein Bašić introduces a lyrical component to the fictional world. The use of sophisticated narrative methods aestheticizes the evil destiny of one nation. The novels represent a literary testimony about a period of historical processes and epochal changes in the Balkans, deeply entrenched within the layered and complex contexts of Bosniak culture and history. With authentic artistic speech, the representation and interpretation of historical dramas and traumas, Bašić constituted the unwritten history of Sanjak-Montenegrin Bosniaks and awakened the identity crushed by existential crises that the wars of the 20th century had brought.
侯赛因Bašić五元论“替代”中的桑贾克-黑山波斯尼亚宪法史
本文分析了《其他的巢》、《没有钥匙的门》、《骨头与乌鸦》、《荒芜的土耳其人》、《融入罗马-fleuve的白种人》(2000)等象征性标题的小说。这部自白编年史的关键起点是柏林关于土耳其军队撤军和巴尔干地区边界变化的决定。由于遭受了悲惨的后果,信奉伊斯兰教的斯拉夫人波斯尼亚人背负了“土耳其人的罪责”。面对耻辱,波斯尼亚人经历了迫害、种族清洗、大规模和个人谋杀,以及移民到土耳其。他们的名字、民族和文化特征、家园、国家和存在都受到质疑。叙述者易卜拉欣Žioc对他作为帝国档案馆职员的生活提出质疑,讲述了关于人类生活和命运的重要小故事。他创作了全景式的、时代性的部分,作为对历史话语中关于桑贾克-黑山波斯尼亚人命运的禁忌主题的补偿。记录了暴力和被迫面对各种形式的恐怖的人们的出走,叙述有节奏地强调了奇妙的故事,非凡的肖像和人物,人类善良,同情和幽默的非凡例子。侯赛因Bašić运用他的诗歌才能,为虚构的世界引入了抒情的成分。运用复杂的叙事手法,将一个民族的邪恶命运审美化。这些小说代表了巴尔干半岛一段历史进程和划时代变化的文学见证,深深植根于波斯尼亚文化和历史的分层和复杂背景中。Bašić以真实的艺术语言,对历史戏剧和创伤的再现和诠释,构成了桑贾克-黑山波斯尼亚人的不书面历史,唤醒了被20世纪战争带来的生存危机所摧毁的身份认同。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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