Memory Matrix

IF 0.1 4区 艺术学 Q3 Arts and Humanities
Azra Akšamija
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Abstract

Abstract:We live at the time when deliberate targeting of cultural heritage has become an instrument of genocidal and territorial conquests. We also live at a time when new technologies can be used to document the erasure of heritage as it takes place and to restore it much faster than has been possible before. Hardly any other historic site has generated more intense public debate about these two issues than Palmyra. The impetus to defy Palmyra's destruction notwithstanding, the questions of whether, when, and how to restore it remain controversial. These questions provide the conceptual basis for the Memory Matrix project—a public-space intervention referencing Palmyra's Arch of Triumph—that counters the destruction of monuments with the creation of new ephemeral monuments engaging new fabrication technologies and transcultural collaborations. In the context of preservation and war, the Memory Matrix endorses the use of technology to form educational exchanges and foster solidarity with those who have been stripped of their home, culture, history, and identity. Preservation can be also about growing the positive aspects of human interdependence in the face of global problems that are affecting communities across borders, both today and in the future.
记忆矩阵
摘要:我们生活在这样一个时代,蓄意以文化遗产为目标已成为种族灭绝和领土征服的工具。我们也生活在这样一个时代,新技术可以用来记录遗产被抹去的过程,并比以前更快地修复它。在这两个问题上,几乎没有哪个历史遗迹能像帕尔米拉那样引发如此激烈的公众辩论。尽管反对帕尔米拉被毁的动机存在,但是否、何时以及如何重建它的问题仍然存在争议。这些问题为“记忆矩阵”项目提供了概念基础,这是一个参考帕尔米拉凯旋门的公共空间干预项目,通过创造新的短暂的纪念碑,利用新的制造技术和跨文化合作,来对抗纪念碑的破坏。在保护和战争的背景下,记忆矩阵支持使用技术来形成教育交流,并促进与那些被剥夺了家园、文化、历史和身份的人的团结。面对今天和未来影响跨国界社区的全球性问题,保护还可以增强人类相互依存的积极方面。
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来源期刊
Future Anterior
Future Anterior Arts and Humanities-Visual Arts and Performing Arts
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