Metamorphoses of the Hidden Light Motif in Jewish Texts

Q2 Arts and Humanities
A. Wineman
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Abstract

Abstract:The motif of the Hidden Light ([inline-graphic 01]), which has a home in rabbinic interpretation of the biblical creation-account, underwent some very significant metamorphoses over time.In the Zohar, the older theme of a great light which had been withdrawn and hidden became assimilated to a more universal concept of a primordial light upon which existence itself depends. Such a conception, voiced significantly in Sufi philosophy, flatly negated any possibility of a withdrawal of the Light.Over time, the motif later became assimilated to another motif, the garments-of-Adam, one found already in the Zohar but having much older roots. It was thought that with the sin of the first couple, their soul-like being was removed and in its place they received materially-oriented physical bodies. Their lost state-of-being came to be associated with the Hidden Light, the re-appearance of which would occur only in some future messianic transformation.Hasidism, in turn, tended to identify the Hidden Light as a deeper understanding of the Torah and the sense of a spiritual depth underlying all existence, a possibility in the present. In effect, Hasidism viewed itself as a reclamation of the Hidden Light.
犹太文本中隐藏的光母题的变形
摘要:《隐藏的光》([inline-graphic 01])的主题,在拉比对圣经创造的解释中有一个家,随着时间的推移,经历了一些非常重要的变形。在《光辉之书》中,一个被撤回和隐藏的伟大之光的古老主题被同化为一个更普遍的存在本身所依赖的原始之光的概念。这样一个概念,在苏菲哲学中表达的意义重大,断然否定了光撤回的任何可能性。随着时间的推移,这个主题后来被同化为另一个主题,亚当的衣服,一个已经在《光辉之书》中发现,但有更古老的根源。人们认为,由于第一对夫妇的罪恶,他们的灵魂被移除,取而代之的是物质导向的肉体。他们失去的存在状态与隐藏之光联系在一起,它的重新出现只会发生在未来的弥赛亚转变中。反过来,哈西德主义倾向于将隐藏之光识别为对Torah的更深层次的理解,以及对所有存在的精神深度的感知,一种存在于当下的可能性。实际上,哈西德派视自己为“隐藏之光”的复垦。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Hebrew Studies
Hebrew Studies Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
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0.00%
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