{"title":"Synthetic Organic Pigments in Talens Oil Paint 1920–1950 – The Case of Vermillion imit","authors":"R. Pause, J. G. Neevel, Klaas Jan van den Berg","doi":"10.1007/978-3-030-19254-9_8","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":10631,"journal":{"name":"Conservation of Modern Oil Paintings","volume":"38 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"5","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Conservation of Modern Oil Paintings","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1007/978-3-030-19254-9_8","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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