Exploring the Agency of Black LGBTQ+ Youth in Schools and in NYC’s Ballroom Culture

Shamari Reid
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引用次数: 4

Abstract

Background/Context: In recent years, youth agency has become more prevalent in education research, with many scholars agreeing that youth agency is highly contextual, reliant on multiple forces, and inextricably connected to social identity. However, relatively few studies have explored the agency of Black LGBTQ+ youth and how these youth understand their own agency. This fact connects to the reality that although there is a growing body of research around the educational experiences of LGBTQ+ youth of color, it is often centered on their victimhood and rarely explores how they practice agency to respond to the challenges they face. Purpose/Objective/Research Question/Focus of Study: Recognizing the importance of context and social identity with regard to youth agency, this study extends the literature on youth agency and LGBTQ+ youth of color by exploring the following research question: How do eight Black LGBTQ+ youth who are active members in New York City’s ballroom culture make sense of their agency in school and in out-of-school ballroom spaces? Data Collection and Analysis: Following Seidman’s (2013) interview process, three separate interviews were conducted with all eight youth. In addition, all eight youth participated in two focus groups. The data analysis was informed by a queer of color critique theoretical framework and focused on specific occurrences in the data in which the young people articulated understandings of their agentive practices that worked toward responding to, resisting, or subverting racial and anti-LGBTQ+ marginalization across schooling and ballroom contexts. Findings: Findings indicate that the youth regarded school as a confining space in which they were fearful of anti-LGBTQ+ rejection and abuse. Thus, they used their agency to suppress their LGBTQ+ identities in order to minimize their experiences with discrimination. Suppressing their identities resulted in the youth feeling disconnected from school and isolated, and increased their risk for depression and anxiety. Contrastingly, the youth understood ballroom as a liberatory space in which they felt able to confidently explore and express their LGBTQ+ identities and create alternatives for themselves outside socially constructed expectations of their identities. Conclusions/Recommendations: Results suggest that Black LGBTQ+ youth are always practicing agency, albeit to work toward different ends, such as occulting or exploring their LGBTQ+ identities. Findings suggest that schools can learn from ballroom spaces how to better invite Black LGBTQ+ youth into schools in humane and educative ways, encourage their agentive imaginations within education spaces, and promote liberatory school environments that recognize and embrace these youth’s racial, gender, and sexual identities.
探索黑人LGBTQ+青年在学校和纽约舞厅文化中的作用
背景/背景:近年来,青年代理在教育研究中变得越来越普遍,许多学者认为青年代理具有高度的情境性,依赖于多种力量,并且与社会身份密不可分。然而,相对较少的研究探讨了黑人LGBTQ+青年的代理以及这些青年如何理解自己的代理。这一事实与一个现实有关,即尽管围绕有色人种LGBTQ+青年的教育经历进行了越来越多的研究,但这些研究往往集中在他们的受害者身份上,很少探讨他们如何实践代理来应对他们面临的挑战。目的/目标/研究问题/研究重点:认识到背景和社会认同对青年代理的重要性,本研究扩展了关于青年代理和LGBTQ+有色青年的文献,探讨了以下研究问题:8名活跃在纽约市舞厅文化中的LGBTQ+黑人青年如何理解他们在学校和校外舞厅空间中的代理?数据收集和分析:根据Seidman(2013)的访谈过程,对所有8名青少年进行了三次单独的访谈。此外,所有八名青年都参加了两个焦点小组。数据分析以酷儿色彩批判理论框架为依据,重点关注数据中的具体事件,在这些事件中,年轻人阐明了他们的代理实践的理解,这些实践致力于在学校和舞厅环境中响应、抵制或颠覆种族和反lgbtq +边缘化。调查结果:调查结果表明,青少年将学校视为一个封闭的空间,他们害怕反lgbtq +的拒绝和虐待。因此,他们利用他们的代理来压制他们的LGBTQ+身份,以尽量减少他们受到歧视的经历。压抑自己的身份导致青少年感到与学校脱节和孤立,并增加了他们抑郁和焦虑的风险。相比之下,年轻人将舞厅理解为一个自由的空间,在这里他们可以自信地探索和表达他们的LGBTQ+身份,并在社会对他们身份的期望之外为自己创造另一种选择。结论/建议:结果表明,黑人LGBTQ+青年总是在实践代理,尽管他们的目的不同,比如隐藏或探索他们的LGBTQ+身份。研究结果表明,学校可以从舞厅空间学习如何以人道和教育的方式更好地邀请黑人LGBTQ+青年进入学校,鼓励他们在教育空间内的代理想象力,促进解放的学校环境,承认和拥抱这些青年的种族、性别和性身份。
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