ANALISA STANDARISASI MUSEUM BATIK DENGAN PENDEKATAN KEARIFAN LOKAL BUDAYA ARSITEKTUR SURAKARTA

Maysitha Fitri Az Zahra, Ully Irma Maulina Hanafiah, Febri Toni Setiawan
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引用次数: 1

Abstract

Batik, which is rich in symbols and philosophies for the Indonesian people, has now been recognized by UNESCO as a Representative List of the Intangible Cultural Heritage of Humanity. The beginning of the emergence of batik in Indonesia is in the city of Solo, and comes from the Pajang kingdom 400 years ago. With the passage of time, batik continues to grow and produces various variations and innovations, from raw materials to the drawn motifs. However, it is very unfortunate that not all of the previous heritage batik can be maintained. Recently, there has been a batik museum created by individuals or institutions, but in the design, some interior elements are less than optimal in their arrangement. So they don't affect the batik stored or on display. In this research, focus of the discussion is on standardization which discusses spatial planning, facilities, collections, lighting, ventilation, acoustics and museum security, which are combined with local wisdom of Surakarta architecture, so that the data becomes a batik museum with character and can preserve the stored batik. This research uses a case study of the Surakarta batik museum, and the final results of this study can be used as a guide for designing a museum with fabric materials in it.
蜡染博物馆对日惹建筑文化审慎方法的标准化分析
对印尼人民来说,蜡染蕴含着丰富的象征和哲理,现已被联合国教科文组织列入《人类非物质文化遗产代表名录》。印尼的蜡染起源于梭罗市,起源于400年前的巴江王国。随着时间的推移,蜡染继续发展,并产生各种变化和创新,从原材料到绘制的图案。然而,非常遗憾的是,并不是所有以前的传统蜡染都能保留下来。最近,有个人或机构创建了蜡染博物馆,但在设计中,一些内部元素的排列并不理想。所以它们不会影响蜡染的储存和展示。在本研究中,讨论的重点是标准化,讨论空间规划、设施、藏品、照明、通风、声学和博物馆安全,并结合泗水建筑的当地智慧,使数据成为一个有特色的蜡染博物馆,并能保存所储存的蜡染。本研究以泗水蜡染博物馆为个案进行研究,最终的研究结果可以作为织物材料博物馆设计的指导。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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