{"title":"Queer Television","authors":"Hollis Griffin","doi":"10.1093/obo/9780199791286-0314","DOIUrl":null,"url":null,"abstract":"People use the term “queer television” to refer to a number of different things: representations of sexual minorities on television programs, as well as programming that is associated with, has a strong following among, or is created by sexual minorities. It is also a term that names a way of studying television to better understand how it participates in the social construction of sex, gender, and sexuality. Queer television studies encompasses a variety of different topics, including how sexuality is represented in television programs, how it operates in particular genres, the ways in which it informs viewer interpretations, how it figures into the business and production practices of the television industry, and how activists engage with it in order to advocate for social justice. Scholars of queer television are interested in how sexuality relates to the pleasures of watching television as well as how sexuality relates to the power relations perpetuated by television (e.g., valuing some identity groups over others, etc.). For that reason, research on queer television that emerges from cinema and media studies is qualitative in nature. Because “pleasure” and understandings of power hierarchies can be subjective, scholars of queer television studies often “take a stand.” Doing so makes research in the area a purposefully political endeavor. The scholars who practice it see meaningful information about the medium and the world around it emerging from careful, rigorous research on the relationship between television and sexuality.","PeriodicalId":41388,"journal":{"name":"Journal of Italian Cinema and Media Studies","volume":"61 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2019-03-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Italian Cinema and Media Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/obo/9780199791286-0314","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
Abstract
People use the term “queer television” to refer to a number of different things: representations of sexual minorities on television programs, as well as programming that is associated with, has a strong following among, or is created by sexual minorities. It is also a term that names a way of studying television to better understand how it participates in the social construction of sex, gender, and sexuality. Queer television studies encompasses a variety of different topics, including how sexuality is represented in television programs, how it operates in particular genres, the ways in which it informs viewer interpretations, how it figures into the business and production practices of the television industry, and how activists engage with it in order to advocate for social justice. Scholars of queer television are interested in how sexuality relates to the pleasures of watching television as well as how sexuality relates to the power relations perpetuated by television (e.g., valuing some identity groups over others, etc.). For that reason, research on queer television that emerges from cinema and media studies is qualitative in nature. Because “pleasure” and understandings of power hierarchies can be subjective, scholars of queer television studies often “take a stand.” Doing so makes research in the area a purposefully political endeavor. The scholars who practice it see meaningful information about the medium and the world around it emerging from careful, rigorous research on the relationship between television and sexuality.
期刊介绍:
Journal of Italian Cinema & Media Studies is an English-language forum for theoretical, methodological and critical debate on Italian film and media production, reception and consumption. It provides a platform for dialogue between academics, filmmakers, cinema and media professionals. This peer-reviewed journal invites submissions of scholarly articles relating to the artistic features, cultural themes, international influence and history of Italian film and media. Furthermore, the journal intends to revive a critical discussion on the auteurs, revisit the historiography of Italian cinema and celebrate the dynamic role played by new directors. The journal includes a book and film review section as well as notes on Italian film festivals abroad and international conference reports. The profound transformation undergone by the rapidly expanding media environment under the impact of digital technology, has lead scholars in the field of media studies to elaborate new theoretical paradigms and methodological approaches to account for the complexities of a changing landscape of convergence and hybridization. The boundaries between cinema and media as art forms and fields of inquiry are increasingly hybridized too. Taking into account this evolving scenario, the JICMS provides an international arena for critical engagement with a wider range of issues related to the current media environment. The journal welcomes in particular contributions that discuss any aspects of Italian media production, distribution and consumption within national and transnational, social, political, economic and historical contexts.