Queer Television

IF 0.2 0 FILM, RADIO, TELEVISION
Hollis Griffin
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引用次数: 0

Abstract

People use the term “queer television” to refer to a number of different things: representations of sexual minorities on television programs, as well as programming that is associated with, has a strong following among, or is created by sexual minorities. It is also a term that names a way of studying television to better understand how it participates in the social construction of sex, gender, and sexuality. Queer television studies encompasses a variety of different topics, including how sexuality is represented in television programs, how it operates in particular genres, the ways in which it informs viewer interpretations, how it figures into the business and production practices of the television industry, and how activists engage with it in order to advocate for social justice. Scholars of queer television are interested in how sexuality relates to the pleasures of watching television as well as how sexuality relates to the power relations perpetuated by television (e.g., valuing some identity groups over others, etc.). For that reason, research on queer television that emerges from cinema and media studies is qualitative in nature. Because “pleasure” and understandings of power hierarchies can be subjective, scholars of queer television studies often “take a stand.” Doing so makes research in the area a purposefully political endeavor. The scholars who practice it see meaningful information about the medium and the world around it emerging from careful, rigorous research on the relationship between television and sexuality.
酷儿电视
人们用“酷儿电视”这个词来指代许多不同的东西:电视节目中对性少数群体的表现,以及与性少数群体有关的、在性少数群体中有大量追随者的、或由性少数群体创作的节目。这也是一种研究电视的方式,以更好地理解它是如何参与社会对性、社会性别和性行为的建构。酷儿电视研究涵盖了各种不同的主题,包括性在电视节目中是如何表现的,它是如何在特定的类型中运作的,它是如何告知观众解释的,它是如何进入电视行业的商业和制作实践的,以及活动家如何参与其中以倡导社会正义。研究酷儿电视的学者们感兴趣的是性与看电视的乐趣之间的关系,以及性与电视所延续的权力关系之间的关系(例如,对某些身份群体的评价高于其他群体,等等)。因此,从电影和媒体研究中产生的关于酷儿电视的研究本质上是定性的。因为“快乐”和对权力等级的理解可能是主观的,酷儿电视研究的学者经常“有自己的立场”。这样做使得该领域的研究成为一项有目的的政治努力。从事这项研究的学者们从对电视与性之间关系的仔细、严谨的研究中,发现了有关电视媒介及其周围世界的有意义的信息。
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来源期刊
CiteScore
0.40
自引率
50.00%
发文量
53
期刊介绍: Journal of Italian Cinema & Media Studies is an English-language forum for theoretical, methodological and critical debate on Italian film and media production, reception and consumption. It provides a platform for dialogue between academics, filmmakers, cinema and media professionals. This peer-reviewed journal invites submissions of scholarly articles relating to the artistic features, cultural themes, international influence and history of Italian film and media. Furthermore, the journal intends to revive a critical discussion on the auteurs, revisit the historiography of Italian cinema and celebrate the dynamic role played by new directors. The journal includes a book and film review section as well as notes on Italian film festivals abroad and international conference reports. The profound transformation undergone by the rapidly expanding media environment under the impact of digital technology, has lead scholars in the field of media studies to elaborate new theoretical paradigms and methodological approaches to account for the complexities of a changing landscape of convergence and hybridization. The boundaries between cinema and media as art forms and fields of inquiry are increasingly hybridized too. Taking into account this evolving scenario, the JICMS provides an international arena for critical engagement with a wider range of issues related to the current media environment. The journal welcomes in particular contributions that discuss any aspects of Italian media production, distribution and consumption within national and transnational, social, political, economic and historical contexts.
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