Daitona: Meet the most innovative Italian production company

IF 0.2 0 FILM, RADIO, TELEVISION

Journal of Italian Cinema and Media Studies Pub Date : 2020-06-01 DOI:10.1386/jicms_00037_7

V. Signorelli

引用次数: 0

Abstract

Founders Lorenzo Lazzarini (b.1993), Valentina Signorelli (b.1989) and Lorenzo Giovenga (b.1989) created Daitona on 26 February 2016. Thanks to their unprecedented transmedia approach, in 2018 Daitona won the ANGI Award - Associazione Nazionale Giovani Innovatori (National Association Young Innovators) as the most innovative production company of the year. The company has produced a variety of successful projects, including, but not limited to short and feature films, documentaries, web video contents commercials, advertising campaigns, branded TV shows and even VR experiences!

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代托纳:最具创新精神的意大利生产公司

创始人Lorenzo Lazzarini(1993年出生)、Valentina Signorelli(1989年出生)和Lorenzo Giovenga(1989年出生)于2016年2月26日创建了Daitona。由于他们前所未有的跨媒体方法，Daitona在2018年获得了ANGI奖-全国青年创新者协会(Associazione Nazionale Giovani Innovatori)，成为年度最具创新性的制作公司。该公司制作了各种成功的项目，包括但不限于短片和故事片，纪录片，网络视频内容广告，广告活动，品牌电视节目甚至VR体验!

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Journal of Italian Cinema and Media Studies FILM, RADIO, TELEVISION-

CiteScore

0.40

自引率

50.00%

发文量

期刊介绍： Journal of Italian Cinema & Media Studies is an English-language forum for theoretical, methodological and critical debate on Italian film and media production, reception and consumption. It provides a platform for dialogue between academics, filmmakers, cinema and media professionals. This peer-reviewed journal invites submissions of scholarly articles relating to the artistic features, cultural themes, international influence and history of Italian film and media. Furthermore, the journal intends to revive a critical discussion on the auteurs, revisit the historiography of Italian cinema and celebrate the dynamic role played by new directors. The journal includes a book and film review section as well as notes on Italian film festivals abroad and international conference reports. The profound transformation undergone by the rapidly expanding media environment under the impact of digital technology, has lead scholars in the field of media studies to elaborate new theoretical paradigms and methodological approaches to account for the complexities of a changing landscape of convergence and hybridization. The boundaries between cinema and media as art forms and fields of inquiry are increasingly hybridized too. Taking into account this evolving scenario, the JICMS provides an international arena for critical engagement with a wider range of issues related to the current media environment. The journal welcomes in particular contributions that discuss any aspects of Italian media production, distribution and consumption within national and transnational, social, political, economic and historical contexts.