{"title":"Propaganda","authors":"Katy Doll","doi":"10.1093/obo/9780199791279-0194","DOIUrl":null,"url":null,"abstract":"Propaganda has a rich history and an equally rich literature. Scholars do not always agree on a single definition of propaganda, but Jowett and O’Donnell’s 2019 book, Propaganda and Persuasion (Los Angeles: SAGE), defines it as a “deliberate, systematic attempt to shape perceptions, manipulate cognitions, and direct behavior to achieve a response that furthers the desired intent of the propagandist.” Persuasive communication itself has been used since the beginning of communication. The term “propaganda,” however, did not come into use until the 1600s and was first associated with disseminating or promoting particular ideas, such as propagating religious faith. Historical analysis of propaganda has focused on the 20th and 21st century when propaganda was considered a widespread issue and has increasingly become an accepted area of study. Given the widespread use of atrocity propaganda in World War I and the power of the Nazi propaganda machine in World War II, 20th-century wars generally receive the most attention from scholars. Historians and communications scholars have attempted to remedy this more modern focus with major anthologies spanning earlier periods. However, as propaganda can often take a host of forms and did not come into the general modern meaning of the word until the 20th century, studies of earlier periods often focus on communication or iconography. Much of the English-language work done on propaganda also skews extremely toward the United States and the United Kingdom. Some of the earliest works on propaganda came from those who worked in propaganda in some capacity. These early works have gradually been supplemented with rigorous historical and communication analyses. The two fields are the most prolific in their study of propaganda, but art historians have also added to the understanding of the visual culture of propaganda and scholars in other fields such as sociology, politics, and rhetoric have also added to the literature on propaganda. Scholars also have devoted attention to the close relationship between propaganda and technology. Together these efforts make for a diverse field that examines propaganda products, their creation, their dissemination, and their purpose. Because of the ephemeral nature of most propaganda and the way various archives have or have not been available to scholars, propaganda can be a challenging topic of study. Some works attempt to study the reception of propaganda while others focus on the creation and dissemination process. Monographs focusing on a single country or conflict outnumber those works spanning conflicts and continents. Several notable exceptions have comparative analysis or bring together works from multiple perspectives. Propaganda will continue to be of vital interest to scholars and hopefully will include works from scholars with increasing language skills and access to diverse archives.","PeriodicalId":44755,"journal":{"name":"JOURNAL OF MILITARY HISTORY","volume":"21 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2020-06-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"JOURNAL OF MILITARY HISTORY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/obo/9780199791279-0194","RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"HISTORY","Score":null,"Total":0}
引用次数: 0
Abstract
Propaganda has a rich history and an equally rich literature. Scholars do not always agree on a single definition of propaganda, but Jowett and O’Donnell’s 2019 book, Propaganda and Persuasion (Los Angeles: SAGE), defines it as a “deliberate, systematic attempt to shape perceptions, manipulate cognitions, and direct behavior to achieve a response that furthers the desired intent of the propagandist.” Persuasive communication itself has been used since the beginning of communication. The term “propaganda,” however, did not come into use until the 1600s and was first associated with disseminating or promoting particular ideas, such as propagating religious faith. Historical analysis of propaganda has focused on the 20th and 21st century when propaganda was considered a widespread issue and has increasingly become an accepted area of study. Given the widespread use of atrocity propaganda in World War I and the power of the Nazi propaganda machine in World War II, 20th-century wars generally receive the most attention from scholars. Historians and communications scholars have attempted to remedy this more modern focus with major anthologies spanning earlier periods. However, as propaganda can often take a host of forms and did not come into the general modern meaning of the word until the 20th century, studies of earlier periods often focus on communication or iconography. Much of the English-language work done on propaganda also skews extremely toward the United States and the United Kingdom. Some of the earliest works on propaganda came from those who worked in propaganda in some capacity. These early works have gradually been supplemented with rigorous historical and communication analyses. The two fields are the most prolific in their study of propaganda, but art historians have also added to the understanding of the visual culture of propaganda and scholars in other fields such as sociology, politics, and rhetoric have also added to the literature on propaganda. Scholars also have devoted attention to the close relationship between propaganda and technology. Together these efforts make for a diverse field that examines propaganda products, their creation, their dissemination, and their purpose. Because of the ephemeral nature of most propaganda and the way various archives have or have not been available to scholars, propaganda can be a challenging topic of study. Some works attempt to study the reception of propaganda while others focus on the creation and dissemination process. Monographs focusing on a single country or conflict outnumber those works spanning conflicts and continents. Several notable exceptions have comparative analysis or bring together works from multiple perspectives. Propaganda will continue to be of vital interest to scholars and hopefully will include works from scholars with increasing language skills and access to diverse archives.
宣传有着丰富的历史和同样丰富的文献。学者们并不总是同意宣传的单一定义,但Jowett和O 'Donnell在2019年出版的《宣传与说服》(propaganda and Persuasion,洛杉矶:SAGE)一书中将其定义为“有意识的、系统的尝试,以塑造感知、操纵认知和指导行为,以实现进一步宣传者预期意图的回应。”说服性沟通从一开始就被使用。然而,“propaganda”这个词直到17世纪才开始使用,最初与传播或促进特定思想有关,比如宣传宗教信仰。对宣传的历史分析主要集中在20世纪和21世纪,当时宣传被认为是一个普遍存在的问题,并日益成为一个公认的研究领域。鉴于第一次世界大战中暴行宣传的广泛使用和第二次世界大战中纳粹宣传机器的力量,20世纪的战争通常受到学者们的最多关注。历史学家和传播学学者试图用跨越早期的主要选集来弥补这种更现代的关注。然而,由于宣传通常可以采取多种形式,并且直到20世纪才进入这个词的一般现代含义,因此早期的研究通常侧重于传播或图像学。许多以英语进行的宣传工作也极度倾向于美国和英国。一些最早的关于宣传的作品来自于一些从事宣传工作的人。这些早期的作品逐渐被严谨的历史和传播分析所补充。这两个领域对宣传的研究最为丰富,但艺术史学家对宣传的视觉文化的理解也有所增加,社会学、政治学和修辞学等其他领域的学者也增加了对宣传的研究。学者们也对宣传与技术的密切关系给予了关注。这些努力共同构成了一个考察宣传产品、其创作、传播及其目的的多样化领域。由于大多数宣传的短暂性,以及学者可以或无法获得各种档案的方式,宣传可能是一个具有挑战性的研究课题。一些作品试图研究宣传的接受,而另一些则关注创作和传播过程。专注于单一国家或冲突的专著数量超过了跨越冲突和大陆的专著。有几个值得注意的例外是比较分析或从多个角度汇集作品。宣传将继续是学者们的重要兴趣所在,希望将包括语言技能不断提高的学者的作品,并能接触到各种档案。