Beyond Pakistani Harem: Women’s Spaces, Neo-colonial Patriarchy and Agency in My Feudal Lord by Tehmina Durrani

Inbisat Ali, Taimur Ali
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Abstract

This research explores the metaphorical representation of harem, a quintessential signifier for Orientalist women in Durrani’sMy Feudal Lord from the theoretical perspective of Mernissi (1994). The paper addresses the polemical question how Pakistani women in particular and Neo-colonial Muslim women in general, exercise agency when placed in the harem (literal and metaphorical). The analysis of the text brings out that in contrast to the Orientalist representation of harem by the colonizer, Neo-colonial women writers in general and Durrani in particular provide an authentic representation of harem, its purpose and how it is misused and misrepresented. While doing so, Durrani contributes to the project of postcolonial women writers who write back to the empire, rewrite the Orientalized spaces and challenge the essentialist depiction of Muslim women as oppressed, eroticized and exotic.
超越巴基斯坦后宫:《我的封建领主》中的女性空间、新殖民父权制和代理
本研究从Mernissi(1994)的理论视角,探讨了Durrani的《我的封建领主》中作为东方主义女性典型能指的后宫的隐喻表现。这篇论文提出了一个有争议的问题,即巴基斯坦妇女特别是新殖民时期的穆斯林妇女,在被置于后宫(字面和隐喻)时是如何行使权力的。对文本的分析表明,与殖民者对后宫的东方主义描述相反,新殖民主义女性作家,尤其是杜拉尼,提供了对后宫的真实描述,其目的以及它是如何被滥用和歪曲的。在此过程中,Durrani为后殖民女性作家的项目做出了贡献,她们写回帝国,重写东方化的空间,挑战穆斯林女性被压迫、色情和异国情调的本质主义描述。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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