Shakespeare and the Blue Humanities

IF 0.2 3区文学 Q2 Arts and Humanities

STUDIES IN ENGLISH LITERATURE 1500-1900 Pub Date : 2019-05-27 DOI:10.1353/SEL.2019.0018

Steve Mentz

引用次数: 4

Abstract

Abstract:By exploring Shakespeare's maritime vocabulary across the full expanse of his career, this article engages with the multiple kinds of metaphorical and physical meanings the sea created for the playwright. Shakespeare's poetics of the sea connect to recent developments in the blue or oceanic humanities. The further distinction that Shakespeare makes between salt and fresh waters helps unpack the ecological and experiential question of environmental hostility and the dangers that water poses for terrestrial mammals. A final section briefly takes up a poetics of immersion through images of swimming in and beyond Shakespeare.

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莎士比亚与蓝色人文

摘要:本文通过对莎士比亚整个职业生涯中海洋词汇的探索，探讨了海洋为剧作家创造的多种隐喻和物理意义。莎士比亚的海洋诗学与最近蓝色或海洋人文学科的发展有关。莎士比亚对咸水和淡水的进一步区分，有助于揭示环境敌意的生态和经验问题，以及水对陆生哺乳动物构成的危险。最后一部分简要介绍了沉浸在莎士比亚作品中的诗学。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

STUDIES IN ENGLISH LITERATURE 1500-1900 LITERATURE, BRITISH ISLES-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： SEL focuses on four fields of British literature in rotating, quarterly issues: English Renaissance, Tudor and Stuart Drama, Restoration and Eighteenth Century, and Nineteenth Century. The editors select learned, readable papers that contribute significantly to the understanding of British literature from 1500 to 1900. SEL is well known for thecommissioned omnibus review of recent studies in the field that is included in each issue. In a single volume, readers might find an argument for attributing a previously unknown work to Shakespeare or de-attributing a famous work from Milton, a study ofthe connections between class and genre in the Restoration Theater.

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