{"title":"The “Mangle” of Human Practice","authors":"R. Tzanelli","doi":"10.3167/trans.2018.080209","DOIUrl":null,"url":null,"abstract":"Praça Mauá, 1 – Centro, Rio de Janeiro – RJ, 20081-240, Brasil\nhttps://museudoamanha.org.br/enWe are accustomed to museums full of heritage displays from bygone eras,\nhelpfully “seriated” for the visitor to tell a story of linear human progress toward\nan “end”: the great metanarrative of (Western) modernity. This is not\nso with the Museu do Amanhã (Museum of Tomorrow) in Rio de Janeiro. A\njoint public-private partner venture (by the City of Rio de Janeiro, the Roberto\nMarinho Foundation, Banco Santander, the British Gas Project, and the\ngovernment of Brazil), the museum was conceptualized as a dark but openended\nnarrative on climate change and the future of humanity.","PeriodicalId":43789,"journal":{"name":"Transfers-Interdisciplinary Journal of Mobility Studies","volume":"54 1","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Transfers-Interdisciplinary Journal of Mobility Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3167/trans.2018.080209","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
引用次数: 1
Abstract
Praça Mauá, 1 – Centro, Rio de Janeiro – RJ, 20081-240, Brasil
https://museudoamanha.org.br/enWe are accustomed to museums full of heritage displays from bygone eras,
helpfully “seriated” for the visitor to tell a story of linear human progress toward
an “end”: the great metanarrative of (Western) modernity. This is not
so with the Museu do Amanhã (Museum of Tomorrow) in Rio de Janeiro. A
joint public-private partner venture (by the City of Rio de Janeiro, the Roberto
Marinho Foundation, Banco Santander, the British Gas Project, and the
government of Brazil), the museum was conceptualized as a dark but openended
narrative on climate change and the future of humanity.