Biographies of South Indian Temple Inscriptions

Abstract

This paper is a preliminary investigation of South Indian temple inscriptions from the perspective of their production and of their physical character – as material objects and as documents produced for particular purposes, making history and having histories of their own. I explore this topic through several case studies of groups of inscriptions engraved on the walls of Hindu temples in Tamilnadu, at different points in medieval history, from the tenth to the thirteenth centuries. I consider the oral, material and performative processes that resulted in the production of inscriptions and investigate their ‘afterlives’. This paper tries to make sense of the mixed functions and statuses of South Indian temple inscriptions – as both objects and texts, as authoritative yet often illegible or ephemeral, as highly local yet engaged with cosmopolitan (royal, professional, legal) and even transcendental realms – to explore the intersection of material culture and religious life.