Gothic Structures of Being in Emily Bronte’s ‘Wuthering Heights’

Q4 Arts and Humanities
Dialogos Pub Date : 2022-11-29 DOI:10.24818/dlg/2022/39/13
Diana-Eugenia Panait-Ioncică
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引用次数: 0

Abstract

The current study attempts to uncover Gothic structures of being in Emily Bronte’s novel ‘Wuthering Heights’. The Gothic could be seen as illustrating a comeback to the mystery of the Middle Ages. We see mystery as a search for the unknown, unconscious part of the being. According to Jung, our past is always underlying the structure of our being, lurking beneath the rational, conscious mind. It is a pivotal part of our spirit, as, ‘…Without these inferior levels, our spirit is left hanging in the air’ (Jung, 1997: 41). Jung states that there is a sort of primitive fear regarding the possible contents of the unconscious, a secret terror towards the ‘perils of the soul’ (Jung, 1997: 20). It is these ‘perils’ we are trying to shed light on in the current paper, in the hope of presenting a reading of the novel that will enrich its meaning and clarify some of the mythical patterns which form the basis of the story.
艾米莉·勃朗特《呼啸山庄》中北京的哥特式建筑
目前的研究试图揭示艾米丽·勃朗特的小说《呼啸山庄》中的哥特式结构。哥特风格可以看作是中世纪神秘感的回归。我们把神秘看作是对存在的未知、无意识部分的探索。根据荣格的说法,我们的过去总是隐藏在我们存在的结构之下,潜伏在理性、有意识的头脑之下。它是我们精神的关键部分,因为,“……没有这些低级层次,我们的精神就会悬在空中”(荣格,1997:41)。荣格指出,存在着一种关于潜意识可能内容的原始恐惧,一种对“灵魂危险”的秘密恐惧(荣格,1997:20)。在这篇论文中,我们试图揭示的正是这些“危险”,希望呈现出一种阅读小说的方式,能够丰富其意义,并澄清构成故事基础的一些神话模式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Dialogos
Dialogos Arts and Humanities-History
CiteScore
0.20
自引率
0.00%
发文量
16
审稿时长
8 weeks
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