Carnival and iustitium in Ana María Shua’s ‘Fiestita con animación’

IF 0.1 4区文学 0 LITERATURE, ROMANCE

BULLETIN OF HISPANIC STUDIES Pub Date : 2022-06-01 DOI:10.3828/bhs.2022.35

Vania Barraza

引用次数: 0

Abstract

Rejected by the publisher when originally written, the short story ‘Fiestita con animación’, by Ana María Shua provides an allegory of the last Argentine military dictatorship (1976-1983), relating Mikhail Bakhtin’s theory of the carnival or carnivalesque with the legal concept known as the state of exception, as developed by Giorgio Agamben. Specifically, the text offers a subtle representation of enforced disappearance (‘desaparición forzada’) to be interpreted in line with Agamben’s readings on the homo sacer (the sacred man). Consequently, carnival and the state of siege - namely, martial law - are equivalent as a temporary stop on rights or on the law.

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安娜·玛丽亚·舒亚的“动画盛宴”中的狂欢节和节日

Ana María Shua的短篇小说“Fiestita con animación”在最初写作时被出版商拒绝，它提供了阿根廷最后一个军事独裁政权(1976-1983)的寓言，将米哈伊尔·巴赫金的狂欢节理论与乔治·阿甘本提出的被称为例外状态的法律概念联系起来。具体来说，文本提供了强迫失踪的微妙表现(' desaparición forzada ')，以符合阿甘本对homo sacer(神圣的人)的解读。因此，狂欢节和戒严——也就是戒严令——相当于对权利或法律的暂时停止。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

BULLETIN OF HISPANIC STUDIES LITERATURE, ROMANCE-

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0.30

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0.00%

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期刊介绍： Edited in one of the leading British University Departments of Hispanic Studies by an editorial team specializing in a wide range of Hispanic scholarship, and supported by a distinguished international Editorial Committee, the Bulletin of Hispanic Studies is the foremost journal published in Britain devoted to the languages, literatures and civilizations of Spain, Portugal and Latin America. It is recognized across the world as one of the front-ranking journals in the field of Hispanic scholarship.