The Easter Sonata of Fanny Mendelssohn (1828)

IF 0.4 2区艺术学 0 MUSIC

JOURNAL OF MUSICOLOGICAL RESEARCH Pub Date : 2022-07-03 DOI:10.1080/01411896.2022.2081920

Angela Mace Christian

引用次数: 0

Abstract

ABSTRACT Fanny Mendelssohn committed her Easter Sonata to paper in 1828, thereafter mentioning it only briefly in her diary and letters in 1829. Whether the manuscript survived, and if so where it was, remained a mystery until the 1970s when the work was performed in Paris, France. In 2010, the manuscript was rediscovered and positively identified as a work by Fanny Mendelssohn. This article presents the story of the Easter Sonata using documentary and codicological evidence, provides musical analysis of the work to identify Fanny Mendelssohn’s compositional voice, and places the Easter Sonata in context of the Mendelssohn family’s social constructs.

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范妮·门德尔松复活节奏鸣曲(1828)

范妮·门德尔松于1828年将她的《复活节奏鸣曲》写在纸上，此后仅在1829年的日记和信件中简短地提到过。手稿是否保存下来，如果保存下来，在哪里，一直是个谜，直到20世纪70年代，这项工作在法国巴黎完成。2010年，手稿被重新发现，并被确定为范妮·门德尔松的作品。本文使用文献和法典证据介绍了《复活节奏鸣曲》的故事，提供了对作品的音乐分析，以确定范妮·门德尔松的作曲声音，并将《复活节奏鸣曲》置于门德尔松家族社会结构的背景下。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

JOURNAL OF MUSICOLOGICAL RESEARCH MUSIC-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： The Journal of Musicological Research publishes original articles on all aspects of the discipline of music: historical musicology, style and repertory studies, music theory, ethnomusicology, music education, organology, and interdisciplinary studies. Because contemporary music scholarship addresses critical and analytical issues from a multiplicity of viewpoints, the Journal of Musicological Research seeks to present studies from all perspectives, using the full spectrum of methodologies. This variety makes the Journal a place where scholarly approaches can coexist, in all their harmony and occasional discord, and one that is not allied with any particular school or viewpoint.