Managing Stages of Film Sound Production

Lev Riazantsev, Yevheniia Yevdokymenko
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引用次数: 0

Abstract

The purpose of this article is to analyse the main stages of sound production in film. The study aims to establish the main principles of film sound design, prove the importance of a rational approach to each stage in the context of their impact on the results of the study, and determine the role of sound in film dramaturgy. The research methodology is based on theoretical methods, namely an analysis of information sources, comparison of Ukrainian and foreign approaches to filmmaking, generalisation and systematisation of practical knowledge and experience of sound production in film from the first sound film to the present day. Scientific novelty. The management structure of sound production’s modern stages and their impact on creative and technical components of film soundtracks is analysed in detail for the first time. Conclusions. The article analyses the stages of sound production in film and establishes the main principles of sound design by studying Ukrainian and foreign approaches to creating sound in the film. The author summarises the rational approach to each stage in the context of their impact on the results of the study and examines the role of sound in film dramaturgy.
电影声音制作的管理阶段
本文的目的是分析电影中声音制作的主要阶段。本研究旨在确立电影声音设计的主要原则,在其对研究结果的影响的背景下,证明合理的方法对每个阶段的重要性,并确定声音在电影戏剧中的作用。研究方法基于理论方法,即对信息来源的分析,乌克兰和外国电影制作方法的比较,从第一部有声电影到现在的电影中声音制作的实践知识和经验的概括和系统化。科学的新奇。本文首次详细分析了现代声音制作阶段的管理结构及其对电影原声创作和技术成分的影响。结论。本文通过对乌克兰和国外电影声音创作方法的研究,分析了电影声音制作的各个阶段,确立了电影声音设计的主要原则。作者总结了每个阶段的理性方法对研究结果的影响,并探讨了声音在电影戏剧中的作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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