Real, Reel and the Anthropocene: Eco-trauma Testimonies in the Film Valiya Chirakulla Pakshikal

IF 0.2 0 FILM, RADIO, TELEVISION
Bibin Thomas, Reju George Mathew
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引用次数: 1

Abstract

The paper attempts to read the Endosulfan disaster in Kerala as an instance of the Anthropocene wherein the unscientific use of a pesticide resulted in the persistent misery of a population and the ecology in which they struggle to survive. The suffering is further presented to a larger audience through the film Valiya Chirakulla Pakshikal (2015, Dir. Dr Biju) by assimilating the reel and the real to bear testimony to their struggles amidst the toxicity of the chemical. The film, as the paper argues, becomes a representative text in the eco-trauma genre that on the one hand displays the disaster while on the other offers a cultural resistance against the unchecked use of chemicals around us. The film situates the Endosulfan disaster amongst the global movements against the pesticides and emphasises the need of a healthy environment.
真实、虚幻和人类世:瓦利亚·奇拉库拉·帕克希卡尔电影中的生态创伤见证
这篇论文试图将喀拉拉邦的硫丹灾难解读为人类世的一个例子,在人类世中,不科学地使用杀虫剂导致了人口的持续痛苦和他们为生存而奋斗的生态环境。通过电影Valiya Chirakulla Pakshikal(2015年,导演),这种痛苦进一步呈现给更多的观众。Biju博士)通过吸收卷轴和真实来证明他们在化学物质的毒性中挣扎。正如论文所言,这部电影成为了生态创伤类型的代表性文本,一方面展示了灾难,另一方面提供了对我们周围无节制使用化学品的文化抵抗。这部电影将硫丹灾难置于全球反农药运动之中,并强调了健康环境的必要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CINEJ Cinema Journal
CINEJ Cinema Journal FILM, RADIO, TELEVISION-
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12 weeks
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