Eye Beams and Boethian Sufficiency in Chaucer's Troilus and Criseyde

Q4 Arts and Humanities
Sarah B. Rude
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引用次数: 0

Abstract

Abstract:This essay explores the relationship between vision, reason, and tragedy in Geoffrey Chaucer's Troilus and Criseyde and Boece, his translation of Boethius's Consolation of Philosophy. In Boece, Chaucer defines the sense of sight as an important first step toward gaining knowledge and differentiating earthly, temporal pleasures from true, eternal goods. Following an examination of how vision and reason appear in Boece, this essay shows how Chaucer dramatizes these principles in Troilus and Criseyde, focusing especially on the lines of sight between Troilus and Criseyde as they experience "love at first sight" and develop an earthly, romantic relationship. Criseyde in particular reasons her way through falling in love, and her progress through the mental faculties of sense, imagination, reason, and intellect closely parallels these faculties as they appear in Boece. At the climax of the narrative, when Troilus and Criseyde consummate their love, Criseyde demonstrates faulty reasoning in labeling Troilus her suffisaunce, the term that Chaucer uses repeatedly in Boece to indicate a good that is true and eternal. With Troilus and Criseyde's errant application of vision and reason, it comes as no surprise that their love is doomed to fail and that their narrative is doomed to be a tragedy.
乔叟《特洛伊罗斯与克里塞德》中的光束与波提西亚充分性
摘要:本文探讨了乔叟译自波伊提乌《哲学的慰藉》的《特洛伊罗斯与克里塞德与波伊提乌》中视觉、理性与悲剧之间的关系。在伯斯的作品中,乔叟将视觉定义为获得知识的重要第一步,并将世俗的、暂时的快乐与真正的、永恒的快乐区分开来。在考察了视觉和理性如何出现在伯斯的作品之后,本文将展示乔叟如何在《特洛伊罗斯和克里塞德》中戏剧化这些原则,尤其关注特洛伊罗斯和克里塞德之间的视线,因为他们经历了“一见钟情”,并发展了一段世俗的浪漫关系。尤其是克里塞德,她在坠入爱河的过程中有自己的原因,她通过感觉、想象、理性和智力等心理能力的进步与这些能力在伯斯身上的表现非常相似。在故事的高潮,当Troilus和Criseyde完成他们的爱情时,Criseyde证明了错误的推理,将Troilus标记为她的“足够”,乔塞在Boece中反复使用这个词来表示真实而永恒的善。由于Troilus和Criseyde对视觉和理性的错误运用,他们的爱情注定要失败,他们的故事注定要成为悲剧也就不足为奇了。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Scripta Mediaevalia
Scripta Mediaevalia Arts and Humanities-Philosophy
CiteScore
0.30
自引率
0.00%
发文量
14
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