Into the unknown [Amas Mu Vuordá]? Listening to Indigenous voices on the meanings of Disney’s Frozen 2 [Jikŋon 2]

IF 1.4 Q2 COMMUNICATION
Trine Kvidal-Røvik, Ashley Cordes
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引用次数: 3

Abstract

ABSTRACT In 2019, Disney released the animated film Frozen 2 and included depictions of Indigenous Sámi peoples, landscapes, and lifeways. Communication scholars have critiqued relationships between Disney and Indigenous cultures. However, with Frozen 2 Sámi consultants initiated a new mode of collaboration with Disney to combat cultural appropriation, linguistic erasure, and misrepresentations. This resulted in almost unanimously positive media praise by Sámi individuals and communities in Scandinavia. By drawing upon an Indigenous listening methodology, we articulate ways Sámi communities discuss the degree to which Disney’s Frozen 2/Jikŋon 2 is a transformative agent (or not) in treatment of Indigenous communities in film.
进入未知的[Amas Mu vuord]?倾听原住民对迪士尼《冰雪奇缘2》意义的看法[Jikŋon 2]
2019年,迪士尼发行了动画电影《冰雪奇缘2》,其中包括对土著Sámi人民、风景和生活方式的描绘。传播学学者对迪士尼与土著文化之间的关系提出了批评。然而,在《冰雪奇缘2》Sámi中,顾问们开创了一种与迪士尼合作的新模式,以打击文化挪用、语言抹去和歪曲。这导致了斯堪的纳维亚半岛的Sámi个人和社区几乎一致的积极媒体赞扬。借由原住民聆听的方法,我们阐明了Sámi社群讨论迪士尼《冰雪奇缘2》/Jikŋon 2在电影中对待原住民社群的方式上是否具有变革意义的方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
3.80
自引率
12.50%
发文量
19
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