Meter networks: a categorical framework for metrical analysis

IF 0.5 2区 数学 Q4 MATHEMATICS, INTERDISCIPLINARY APPLICATIONS
A. Popoff, Jason Yust
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引用次数: 0

Abstract

This paper develops a framework based on category theory which unifies the simultaneous consideration of timepoints, metrical relations, and meter inclusion founded on the category of sets and binary relations. Metrical relations are defined as binary relations on the set of timepoints, and the subsequent use of the monoid they generate and of the corresponding functor to allows us to define meter networks, i.e. networks of timepoints (or sets of timepoints) related by metrical relations. We compare this to existing theories of metrical conflict, such as those of Harald Krebs and Richard Cohn, and illustrate that these tools help to more effectively combine displacement and grouping dissonance and reflect analytical claims concerning nineteenth-century examples of complex hemiola and twentieth-century polymeter. We show that meter networks can be transformed into each other through meter network morphisms, which allows us to describe both meter displacements and meter inclusions. These networks are applied to various examples from the nineteenth and twentieth century.
仪表网络:用于测量分析的分类框架
本文提出了一个基于范畴论的框架,在集合范畴和二元关系的基础上,统一了时间点、韵律关系和节拍包含的同时考虑。度量关系被定义为时间点集合上的二元关系,随后使用它们生成的单群和相应的函子来允许我们定义度量网络,即由度量关系相关的时间点(或时间点集合)网络。我们将其与现有的格律冲突理论(如Harald Krebs和Richard Cohn的格律冲突理论)进行比较,并说明这些工具有助于更有效地将位移和组合不和谐结合起来,并反映出有关19世纪复杂的偏音和20世纪的聚合物的分析主张。我们证明了仪表网络可以通过仪表网络态射相互转换,这使我们能够描述仪表位移和仪表包含。这些网络应用于19世纪和20世纪的各种例子。
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来源期刊
Journal of Mathematics and Music
Journal of Mathematics and Music 数学-数学跨学科应用
CiteScore
1.90
自引率
18.20%
发文量
18
审稿时长
>12 weeks
期刊介绍: Journal of Mathematics and Music aims to advance the use of mathematical modelling and computation in music theory. The Journal focuses on mathematical approaches to musical structures and processes, including mathematical investigations into music-theoretic or compositional issues as well as mathematically motivated analyses of musical works or performances. In consideration of the deep unsolved ontological and epistemological questions concerning knowledge about music, the Journal is open to a broad array of methodologies and topics, particularly those outside of established research fields such as acoustics, sound engineering, auditory perception, linguistics etc.
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