Grotesco: un hito en la travesía de la novela hispanoamericana

Martha Elena Munguía Zatarain
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引用次数: 0

Abstract

In spite of the great amount of manuals and monographies already existing, reconstructing the History of Hispanic American Literature is still a pending task. The aim of this paper is to review some of the problems that have being hindering a reasonably satisfying progress in this field, although we have to recognize the lack of new and different approaches based in Aesthetics. At the same time, we propose to start reestablishing the link of the novel with ancient popular traditions of oral character which have determined the profile of novel writing and are exemplified with the review of two works of very different character in the configuration of which, however, the trace of a grotesque Aesthetics is evident: A Hundred Years of Solitude by García Márquez, and Dog Feet by Carlos Droguett.
怪诞:西班牙裔美国人小说之旅的里程碑
尽管已有大量的手册和专著,但重建西班牙裔美国文学史仍然是一项悬而未决的任务。本文的目的是回顾一些阻碍这一领域取得令人满意的进展的问题,尽管我们必须认识到缺乏基于美学的新的和不同的方法。与此同时,我们建议开始重建小说与古代流行的口头角色传统的联系,这些传统决定了小说写作的轮廓,并通过对两部性格截然不同的作品的回顾来证明,然而,怪诞美学的痕迹是显而易见的:García Márquez的《百年孤独》和卡洛斯·德罗盖特的《狗脚》。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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27
审稿时长
26 weeks
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